Johnnie Bassett Photo credit: Cybelle Codish |
Johnnie Bassett Photo credit: Cybelle Codish |
Hot Club of Detroit. Photo credit: Anna Webber |
Jazz vocalist Kathy Kosins doesn’t take anything for granted. Since 2010, Kosins has adapted to the changing needs of the music industry, and specifically her fans, by releasing a regular series of digital singles.
Festival organizers for the 31st Detroit International Jazz Festival recently announced artist additions to the 2010 lineup on Friday, Sept. 3, 2010, through Monday, Sept.6, 2010, in downtown Detroit. The newly added artists further underscore an already existing diversity of musical genres, including funk, gospel and R&B.
Yellowjackets, Salim Washington and the Harlem Arts Ensemble, Jason D. Williams, and gospel sensation James Fortune and FIYA will join the previously announced roster featuring Mulgrew Miller, Take 6, Branford Marsalis, Terence Blanchard, Manhattan Transfer, Roy Haynes and Allen Toussaint.
“Soul” is the theme of the opening night, Friday Sept. 3. Performances by Take 6 and the Mulgrew Miller Trio will be followed by the urban soul music of Tower of Power. For over 40 years, this group has thrilled audiences all over the world with their unique brand of music.
The Yellowjackets have been cutting-edge purveyors of innovative, eclectic jazz for nearly 30 years. With every recording since their 1981 debut album, the Yellowjackets have pushed the boundaries of improvisational jazz and have been leaders in the music’s inescapable evolution. Hailed as the “most adventurous quartet in contemporary jazz music” by All Music Guide, this multi-Grammy Award-winning group features Russell Ferrante, Will Kennedy, Jimmy Haslip and Bob Mintzer.
Jason D. Williams has the same musical innovation and on-the-edge attitude as Jerry Lee Lewis. The fiery Memphis-born pianist covers boogie-woogie rock & roll, classical, country and jazz, in what has been described as an “enthusiastic, reckless and stormy” way.
ASCAP Award winner and Stellar Award nominee James Fortune and FIYA will headline the festival’s “Come MONday” gospel celebration on Sept. 6. The Houston artist made music history with “I Trust You” – the longest running #1 single in gospel music. The group’s rapid success in the gospel music industry has garnered international acclaim and opened the door to their sharing the stage opening for distinguished artists Stevie Wonder, Kirk Franklin, Kim Burrell, Fred Hammond, Smokie Norful and Donald Lawrence. Fortune was a featured guest judge for the 2009 Verizon Wireless How Sweet the Sound Competition.
The “Come MONday” gospel celebration will also feature Detroit’s own Second Ebenezer and Triumph Church choirs.
For the full 2010 artist roster, visit detroitjazzfest.com. The lineup of Detroit-based jazz musicians playing at the festival will be announced in mid-June.
Legendary Detroit blues guitarist and singer Johnnie Bassett is set to release “The Gentleman Is Back” June 30 on Sly Dog Records.
Bassett returns to the spotlight after a nine-year hiatus. “The Gentleman Is Back,” is an 11-song set that finds Johnnie, at 72, in prime form as a player and singer. Recorded in Detroit and co-produced by longtime Bassett collaborators Chris Codish and Keith Kaminski, the CD includes a richly rendered cover of the Hoagy Carmichael and Gorrell Stuart standard “Georgia” and a batch of originals penned mostly by Codish and his father, Bob, another regular in the Bassett camp.
According to his bio, Bassett was born in Florida, where his father was a bootlegger during prohibition. Bassett was surrounded by music. His mother, sisters and aunts took him to church and surrounded him with gospel spirituals. But in the summer he’d head out to his grandmother’s famous fish fries, where the likes of Tampa Red, Arthur ‘Big Boy’ Crudup, Lonnie Johnson and others would set up and play while folks ate and danced. He has been on the music scene for more than five decades, amassing a career that’s crossed paths with some of the greatest artists in the field, including John Lee Hooker, Smokey Robinson and Jimi Hendrix.
Johnnie didn’t have to think twice about what “The Gentleman Is Back” would sound like. “I like doing fun music – fun jump music and fun blues music and stuff like that.”