Jazz vocalist Jackie Ryan will release a collection of 15 love songs in time for Valentine’s Day, according to a news release. Proceeds from the compact disc “Best of Love Songs” will go to Oxfam for ongoing Haiti Relief fund.
Ryan is best known as a “musician’s singer.” She has performed, recorded, or toured with Clark Terry, Toots Thielemans, Barry Harris, Cyrus Chestnut, Terry Gibbs, Buddy DeFranco, Red Holloway, Eric Alexander, Jeremy Pelt, Ernie Watts, Benny Green, Tamir Hendelman, Jeff Hamilton, Amina Figarova, Mike Wofford, Jon Mayer, Larry Vuckovich, and Jon Hendricks.
Ryan’s 2009 release “DOOZY” was the third most played jazz CD on radio for the entire year, finished at #3 on JazzWeek‘s Top 100 CDs of 2009, received four-star reviews from both “DownBeat” and “All Music Guide,” and sat atop many critics’ end of year lists. Jackie was one of 5 vocalists voted by critics to make “JazzTimes‘” “Top 50 CDs of the Year.”
Selected from three recordings released from 2002 to 2006, “Best of Love Songs” reflects Ryan’s myriad of musical talent. Joining Ryan on the project is legendary two-time Grammy-Award nominees Ernie Watts and Red Holloway, backed by Jon Mayer, Tamir Hendelman, Larry Vuckovich, Jeff Hamilton, Jeff Chambers and others.
Category: releases
World renowned drummer Cindy Blackman pays tribute to mentor Tony Williams in her upcoming February 23 release “Another Lifetime.”
Williams was the “spark” that dazzled the sets behind the late jazz maestro Miles Davis’ ’60s quintet. Considered one of the greatest jazz fusion drummers of all time, Williams died at age 51. Blackman, known as one of contemporary music’s most creative drummers, is a witness to Williams’ collective talents. “Another Lifetime” is a compilation of Williams’ songs from his seminal group Lifetime, which he helmed from 1969-1976. Blackman is a top-drawer jazz drummer whose resume includes a lengthy association with rocker Lenny Kravitz (1993-2004, 2005-2007).
“It’s true that this album celebrates him, but really this is only a documentation of the recording sessions that make up ‘Another Lifetime,’” said Blackman in a news release. “Tony’s impact was so great on me that I celebrate him every day of my life. Every time I think about music, I celebrate Tony because I celebrate that level of virtuosity. I’m here to let it be known what that man created and how in his drumming he carried the entire history of all the great jazz drummers. He was an incredibly schooled drummer who set up the direction for me. When I first heard him, I knew that’s how I wanted it to go for me. I remember thinking I’ve got to get to that. Celebrating Tony is not just one day or one album, but it’s a way of living, a way of being-creative, spontaneous, thoughtful and diligent in pushing the envelope.”
Accompanying Blackman are four different teams of collaborators. The first support group comprises guitarist Mike Stern, organist Doug Carne and bassist Benny Reitvald, who appear on seven of the 11 tracks. On two tunes, there is guitarist Fionn O Lochlainn and organist Carlton Holmes; while the final track on “Another Lifetime,” “Wildlife,” features guitarist Vernon Reid, keyboardist Patrice Rushen and bassist David Santos. There’s also a guest appearance by saxophonist Joe Lovano in Blackman’s duo rendition of “Love Song,” one of the CD highlights.
Grammy-nominated trumpet/flugelhorn player Claudio Roditi is set to offer his latest release “Simpatico” on the Resonance record label in February.
According to a news release, “Simpatico” showcases Roditi’s playing and composing talents. Accompanying him on several songs are drummer Duduka Da Fonseca, pianist Helio Alves, electric bass guitarist John Lee, trombonist Michael Dease and guitarist Romero Lubambo.
“To me,” Roditi says in the release, “the main difference of this album from everything else I have done is that for the very first time these are all my compositions, all twelve of them. There are some new pieces, some a little older, but these are mostly things I haven’t recorded, and some of them I haven’t played live.”
Roditi is best known for his patented blend of Brazilian samba and bossa nova with straight-ahead jazz. In 1989, Roditi became a member of Dizzy Gillespie’s United Nation Orchestra, and since then he has toured and recorded with The JazzMasters and The Dizzy Gillespie All-Star Big Band, Gillespie tribute groups led by musical director Slide Hampton. He has received a Grammy nomination for his 2009 release “Brazilliance x 4.”
Gospel recording artist Greg Roberts and Soul Celebration prepare to record the upcoming CD/DVD project “Go Forth” at 6 p.m. Saturday, Jan. 23 at Temple of Praise, 700 Southern Ave., SE, in Washington D.C.
Doors will open at 5 p.m. Tickets are available online at www.gregandsoulfulonline.com. General admission is $10 and $15 for V.I.P. Seating. General seating admission will be available at the door for $12.
The recording will include guest artists Melonie Daniels, Nakita Clegg-Foxx of the Kurt Carr Singers, and Angela White of Tye Tribett & GA.
According to a news release, Greg Roberts and Soulful Celebration began in 2000 while Roberts was enrolled at Hampton University in Hampton, Va. Since then, the group has relocated to the Washington, D.C. area where it has cultivated a strong and loyal underground following. The group’s previous projects include “All Things: The Soulful Experience LIVE” and “Soulful Worship.”
Pianist/composer Greg Burk returns to the spotlight on Jan. 26 with his fourth release “Many Worlds” on 428 Music.
The project marks the first recording of a quartet featuring Burk, Henry Cook on woodwinds, bassist Ron Seguin and drummer Michel Lambert. According to a news release, Burk and Cook’s collaborations date back to their time with Boston’s Either/Orchestra, and Burk, Cook and Seguin have a performing history in Rome, Burk’s home since 2004.
Nevertheless, to Burk, “Many Worlds was inspired by the mysterious lives and folk dances of electrons, quarks, neutrinos, protons, neurons and the like.” His diverse interests which include the innovations of John Coltrane, studies with Yusef Lateef, Archie Shepp and Paul Bley help conjure his involvement in the rhythmically flexible group concept which pervades much of the quartet interplay on “Many Worlds.”
Chicago jazz musicians Dave Rempis and Frank Rosaly have released new compact disc “Cryllic,” comprised of improvisations produced without written material or standard licks, on the 482 Music label.
Rempis and Rosaly have worked together in The Rempis Percussion Quartet and The Ingebrigt Haker-Flaten Quintet, and since 2004, they have been performing as a duo. “Cyrillic” consists of seven improvised tracks ranging from “Still Will” to the heavy swing of “In Plain Sight” to the pseudo blast beats of “How to Cross When Bridges Are Out.” While the music can be explorative, “Cyrillic” is a high energy affair with heavy grooves recorded during a short four-hour session at Chicago’s Strobe Studios.
According to a news release, Rempis has been named twice “a rising star” in the annual DownBeat Critic’s Poll on both alto and baritone saxophones. Rosaly is an active member of several bands, such as Matana Roberts’ Chicago Project, Rob Mazurek’s Mandarin Movie, Jeff Parker/Nels Cline Quartet, as well as leading his own quintet.
Internationally acclaimed jazz pianist Antonio Ciacca teams with renowned saxophonist Steve Grossman in a new project “Lagos Blues,” to be released by Motéma Music in the U.S. on Jan. 12. Joining them is Ciacca’s regular quartet – saxophonist Stacy Dillard, bassist Kengo Nakamura and drummer Ulysses Owens – who contribute a picturesque image on the broader story of jazz.
Born in Germany, raised in Italy, Ciacca plays with a rare blend of earthiness, fire and intellect, with elements of Wynton Kelly, Red Garland and Bobby Timmons. He is the director of Programming for Jazz at Lincoln Center.
According to a news release, Ciacca began his studies at the Bologna Conservatory. At the time, he played only classical repertoire, the effects of which led him to consider switching his energies to sports and becoming a professional soccer player. This all changed when his future Lincoln Center compatriot Wynton Marsalis came to Bologna give a concert.
“What impressed me was the relationships between the musicians,” Ciacca says. “They were all proud and accomplished and dignified. They were just perfect.”
Speaking with Marsalis after the concert, Ciacca took to heart the trumpeter’s advice: “Try to swing as hard as you can and you’re going to be good.” That mission began when he sought out Grossman, whose lessons laid a solid foundation for the young pianist. After three years, at Grossman’s suggestion, he left for the States in 1993 to immerse himself fully in jazz culture, working first in Detroit and then in New York.
World-jazz pianist-composer-arranger Fahir Atakoglu enlists a host of friends for his upcoming Jan.5 release, “Faces & Places.” Joining him are trumpeter Randy Brecker, guitarist Wayne Krantz,Yellowjackets’ saxophonist Bob Mintzer, Brazilian guitarist Romero Lubambo, bassist John Patitucci and Horacio “El Negro” Hernandez on drums.
According to a news release, “Faces & Places” is a follow-up to the 2008 fusion project “Istanbul in Blue,” which reached #1 on the JazzWeek World Music Albums chart and featured guitarists Mike Stern and Wayne Krantz, tenor saxophonist Bob Franchesini, bassist Anthony Jackson, and Hernandez on drums.
Atakoglu dedicates “Faces & Places” project “to all musicians who have come to the United States from all corners of the world: Those who follow their dreams and touch people’s hearts, lives and souls with their music.” A native of Istanbul, Turkey, Atakoglu has recorded 18 albums that have sold more than two million copies in 17 countries including the United States. Atakoglu continues to compose film scores, ballet music, operas and other symphonic works while also performing solo and trio concerts around the world.
In a recent news release, Vijay Iyer explains the word “historicity” as the simple fact of being placed in the stream of history — along with everything it may imply. The idea of today’s creations drawing from older sources compelled Iyer to title his new trio CD “Historicity.”
A presentation of interpretations of other composers’ material, “Historicity” explores tunes ranging from Leonard Bernstein to Andrew Hill to Stevie Wonder to M.I.A. Joining Iyer on this project is bassist Stephan Crump and drummer Marcus Gilmore.
Iyer has worked with a wide range of contemporary artists, including Steve Coleman, Roscoe Mitchell, Amiri Baraka, Wadada Leo Smith, Oliver Lake, Imani Uzuri, Dafnis Prieto, Karsh Kale, and John Zorn, composed pieces for classical ensembles including the string quartet ETHEL and Imani Winds, and scored film, dance and theater works. Iyer shares a bit about his project to fans via youTube.
When he was 16, Chicago-based Jason Stein was known to be more of a rock guitarist than a base clarinetist. But it was jazz great Thelonius Monk who drew him in. And later when he heard Eric Dolphy play the bass clarinet, Stein was so inspired that he forged an unwavering commitment to cultivate a single tonal voice.
Also a student of drummer Milford Graves, saxophonists Charles Gayle and Donald Walden and brass player/theoretician Ed Sarath, Stein assimilated from these powerful figures the conceptual and philosophical lessons that compelled him to capitalize on his innate nature as a serious, self-motivated musician.
Fans will have two chances to appreciate Stein’s talent on November 10. His compositions are contained in the upcoming release “Three Less Than Between,” from a reconfiguration of Stein’s original trio, Locksmith Isidore, on the Clean Feed label, and in Stein’s debut solo outing on Leo Records, “In Exchange for a Process.”
“Three Less Than Between” will feature Chicago bass player Jason Roebke and drummer Mike Pride in a traditional jazz setting. “In Exchange for a Process” is described as “an articulated source for endless discovery of the elements indigenous to a world that is known only to Jason Stein. Treating the bass clarinet with energy equal to that applied by sax players, he follows in the footsteps of many contemporary avant-garde solo saxophonists, who have each expanded the concept of tonality.”