Mitch’s Muse Commercial Break: Roma Boots introduces new rain boot collection

Roma BootsRoma Boots has partnered with Sadie Robertson of A&E’s Duck Dynasty and ABC’s Dancing with the Stars to introduce a new collection of rain boots just in time for the holiday season. The Sadie Robertson Live Original™ Collection features stylish all-weather boots made of natural rubber with soft cotton lining in a fair trade factory. Both functional and fashionable, they are waterproof, comfortable, slip resistant, and eco-friendly. If you’re shopping for an earthy girl, the Opinca Kale is the go-to shade of green this season. If she’s the kind to make a statement, the Opinca Claret is an eye-catching red that will be sure to turn heads. If a touch of femininity is desired, the Opinca Floral is the perfection combination of simplicity and style for any lady.

All of these boots are available now for pre-order at They retail for $119 each and are set to ship in October. Roma Boots are also sold at over 400 boutiques and regional stores around the U.S. and internationally in the U.K., Japan, Germany, South Korea and Canada.

Samuel Bistrian founded Roma Boots in 2010 with the hopes of merging his knowledge of fashion with his passion for humanitarianism. Along with their “buy one, give one” philosophy, 10 percent of Roma Boots’ sales go towards an education initiative. Since its inception,Roma Boots has received attention from national and international media, such as TODAY, WWD, GMA, InStyle, Parade and more – as well as Hollywood celebrity support!

Now, it’s your turn. Roma is amor and amor means love. This holiday season, show your love and help Roma Boots with their mission: “Giving poverty the boot!”


arts jazz music performances releases United States

Vocalist Alex Pangman shares a little swing on “Have a Little Fun”

pangmanJustin Time Records is proud to release vocalist Alex Pangman‘s new album, Have a Little Fun (available tomorrow, June 11). The album features legendary guitarist Bucky Pizzarelli, and is Pangman’s second release for the Canadian music label.
Have a Little Fun finds the young Toronto chanteuse on a baker’s dozen of swing era standards and originals penned in the same vintage style. Along with Pizzarelli, a seven-decade veteran who’s played with Les Paul, Benny Goodman, and Stephane Grappelli, Pangman is joined by her long-running band, The Alleycats.
Since her teens, Pangman has earned a devoted following in her native Canada, garnering three National Jazz Award nominations, twice as “Jazz Vocalist of the Year” and once for “Best Original Song,” and she has performed three showcases at the renowned Festival International de Jazz de Montréal.
The carefree attitude expressed in the title has been earned in part through Pangman’s lifelong struggle with lung disease, which culminated in a successful double lung transplant in 2008. “I was born with lung disease so I’ve always had that perspective,” she says in a recent news release, “but it’s been freshly reinvigorated. Life is precious, and if you sit around with your gut in a twist, it’s really not worth it.”
Have a Little Fun came together quickly, when Pangman learned that Pizzarelli would be performing in her hometown of Toronto. Despite a half-century’s difference in their ages, the two quickly bonded over their shared love of 1930s song. “He’s in his eighties and I’m in my thirties,” Pangman says, “but we quickly became friends because we both love these melodies and these songs. That lineage is what binds us together.”
Pangman has been christened “Canada’s Sweetheart of Swing,” a title threatened when her cystic fibrosis began to compromise her ability to sing. A donor was fortuitously located, and she came back from her double lung transplant with her 2011 disc 33.
Since the surgery, Pangman says, Have a Little Fun has taken hold as “my mantra in life. You can have a million smackers and a fancy car, but if you’re not having any fun, what’s the point? You’re not here forever, so try to enjoy yourself.”

Alex Pangman -- Just One More Chance -- OFFICIAL MUSIC VIDEO

jazz music releases

Motherhood generates Elizabeth Shepherd’s release “Rewind”

“Rewind” is available September 25 on Linus Entertainment.

Montreal-based soul-jazz innovator Elizabeth Shepherd has been praised around the world for her song-writing chops, but on her fourth studio album, Rewind, the pianist and vocalist showcases her skills as an arranger and interpreter, breathing new life – and soul – into songs both familiar and forgotten.

A two-time JUNO nominee (Canada’s Grammy Award equivalent) and critical darling, Elizabeth Shepherd’s genre-bending, soulful jazz has helped her find her place as a mainstay on the international circuit, playing legendary venues like Tokyo’s Cotton Club, London’s Jazz Café and the Hollywood Bowl. Her debut album, Start to Move, continues to receive critical acclaim, and was voted the Top 3 Jazz Albums of the Year by the listeners of the Gilles Peterson Show on BBC Radio 1 in 2006.

As her first full-length album of standards, Rewind charts new and welcome territory for Shepherd, who pushes the boundaries of what is considered conventional jazz, all the while creating a sound completely her own.

Raised by ministers of the Salvation Army, an early exposure to the brass band sounds mixed with her love for classical and house music, funk and hip hop, lay the foundations for one soulful musician. Trained extensively in conservatories in Canada and France, Shepherd completed a degree in jazz piano from McGill University, Montreal. Initially entering the music program to pursue a career in music therapy she quickly discovered her extensive talent in songwriting and performing. She moved to Toronto in 2004 and worked as a server at a piano bar. Her serving job proved an asset to her musical career – once management realized Shepherd’s talent, she quickly became the restaurant’s key entertainer. Organically and innocently enough, the Elizabeth Shepherd Trio was formed with Scott Kemp on bass and Colin Kingsmore on drums. Within a year of trading her waitress uniform for a piano bench in 2006, Shepherd was appearing live on BBC Radio 1, playing sold-out shows at London’s Jazz Café and doing a weeklong residency at the venerable Cotton Club in Tokyo.

On her 2008 follow-up, Parkdale, which garnered another JUNO nomination, Shepherd continued to carve out her own niche within the jazz idiom, drawing praise from peers and critics. The ensuing tours saw her sharing the stage with greats like Branford Marsalis, Christian McBride and Victor Wooten. Shepherd’s 2010 release, Heavy Falls the Night, marked her debut as a producer and the record was hailed by jazz and pop critics alike as her best to date. Long-listed for Canada’s most prestigious music award, The Polaris Prize, the album builds a bridge between jazz and sophisticated pop music. Shepherd spent the better part of 14 months touring the record internationally, selling out legendary jazz clubs while climbing high on pop charts.

The vocalist didn’t consider recording an album of standards until she became pregnant with her daughter Sanna while on the last leg of her 14-month tour supporting Heavy Falls The Night. Faced with the realization that she would not be able to finish writing enough original new songs for an album before Sanna’s birth, Shepherd was compelled to get into the studio and record an album of songs that she had learned, loved and grown with over the years. She wanted desperately to connect with something that was always a constant in her life while she was in the midst of what is arguably the most significant life change a woman will ever have — motherhood. After the album was finished and Sanna entered her life, Shepherd realized that Rewind too, ironically, marked a great shift for her musically.

“Now that the album is done, I realize that while pregnancy is a time of unprecedented, extreme change, and motherhood an even deeper process of adaptation, the illusion of holding onto something fixed is just that – illusion – because we are never really standing still, and so this album is not that link that I was hoping for when initially faced with so much change – rather it is one more face of change, an act of discovering and embracing yet another aspect of my self, this time of my musical self,” said Shepherd in a news release.

So while Rewind was a record initially inspired by Shepherd’s desire to connect to something true and constant while undergoing and preparing for her life’s biggest upheaval yet, the album in fact was a transition too; a remarkable, inspired and ambitiously creative transition. Rewind is clearly an Elizabeth Shepherd release, not a release of standards sung by Elizabeth Shepherd.

As far as being a “jazz musician”, Shepherd does not count herself as one to be defined by a particular genre; her music comes straight from the soul, and is more than just what she does, but what she loves and who she is.

Exit mobile version