Tag: composer

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arts jazz music releases United States

Lisa Hilton’s ‘Escapism’ offers relief from worldly distractions

Lisa Hilton often settles in at her piano and riffs on everyone from Miles Davis and Horace Silver to The Black Keys and Green Day, until she can find peace within the notes, letting them fill the room and fall where they languish in this glow of calm with a touch of brooding blues. Then this past year, the world changed a bit and finding that calm seemed a little more elusive.

“Everything is charged with politics, a large portion of our world seems to be emigrating, and climate catastrophe seems constant,” Hilton says in a news release. “There’s been so much turmoil lately; we can’t find a sense of peace surfing the Internet or social networks — we need really positive sources to balance out this time of disruption in our lives.”

For her 20th album – Hilton has recorded an album a year since 1997- she wanted to provide uplift and relief, where listeners can be energized and feel rejuvenated. This became the theme for her latest release, the aptly titled Escapism. The album (available on December 1 on Ruby Slippers Productions) includes the Alan Lerner and Burton Lane standard, “On a Clear Day” and nine Hilton originals ranging from the high-voltage opener, “Hot Summer Samba” to the introspective and ethereal “Mojave Moon.” Each composition seems to generate, by albums end, a mental release or escape all its own.

“Artists have an important role in our culture and community – it is through art and music that our souls and spirits can be energized, balanced and entertained – we all need to “escape” from our challenges,” Hilton says. “I want our music to be a positive force whether you’re listening on the subway, while at work or lounging on a tropical island. Our music embraces the good experiences in our world.”

After working solo on last year’s Day & Night release, Hilton brought back saxophonist JD Allen, trumpet and flugelhornist Terell Stafford, bassist Gregg August and drummer Rudy Royston into Avatar Studios for one of the last sessions at that revered and storied studio before it became property of Berklee College of Music on September 1.

“It was definitely nostalgic being at Avatar the last few days before it changed ownership since no one really knows what will happen to it – we hope good things,” she says. “I have recorded ten albums there and I love the rooms, they have a special sound and ambiance. I think the entire band knew this recording was a time to savor the sense of the place – there were excellent solos going on, and we had a great sound captured by our engineer, a true sound icon, James Farber. What tremendous musicians and all leaders in their own right – I feel so fortunate to continue to work again and again with them.”

Escapism is an audiophile’s delight from the team of top engineers that Hilton has worked with for years; besides recording engineer Farber, it was mixed by 23-time Grammy® Award-winning engineer Al Schmitt at the legendary Capitol Studios in Hollywood and mastered by multi-Grammy® Award-winners Gavin Lurssen and Reuben Cohen.

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Mike Reed introduces ‘A Different Kind of Dance’ to listeners

Mike Reed
Mike Reed

When drummer, composer and bandleader Mike Reed isn’t playing music he spends much of his time watching others making it. But he also observes audiences. As a concert and festival organizer, he’s informally noted the interaction between performer and audience for years, and while his rapidly expanding discography makes plain he privileges art above all else, his awareness of the listener is always present.

A New Kind of Dance, the sixth album by his long-running quartet People, Places & Things presents the same deft interactive rapport between alto saxophonist Greg Ward and tenor saxophonist Tim Haldeman; the same crisp rhythmic drive provided by the leader and bassist Jason Roebke; and the same indelible mixture of bluesy depth and measured freedom as its superb predecessors. A New Kind of Dance advances the boundaries of the quartet’s repertoire further than ever and adds two guests to the mix: pianist Matt Shipp and trumpeter Marquis Hill.

“I wanted to challenge the quartet situation and make things slightly more dimensional, such as having three-part horn arrangements or having another harmony/rhythm instrument to dictate the path,” Reed said in a recent news release.

“I thought Matthew Shipp would throw some curve balls at the rest of the band. He has some elevated perspectives on improvising, while not standing on top of an ivory tower. His improvising is very humanistic, but he has no problem cutting people down to size, so that everyone can operate on a level playing field. Marquis seemed to be the right choice to find the right trumpet blend with Greg and Tim. His tone can keep things very centered, and he plays with a purpose.”

Here is an older video of People, Places & Things in action.

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arts jazz music performances releases United States

Guitarist Kevin Eubanks showcases breadth of artistic influences on “The Messenger”

With his second Mack Avenue Records release, The Messenger (available on Feb. 19, 2013), acclaimed guitarist Kevin Eubanks continues to explore his own unique musical vision. This vision offers the listener an opportunity to share a musical journey that truly exemplifies where Eubanks is at this stage of his illustrious career; one that, for over three decades, has seen him incorporate into his creative process a willingness to embrace the broad spectrum of his musical experience, while continuing to seek out new vistas.

The Messenger is a project that reflects not only the guitarist’s virtuosity on his instrument, but also his impressive compositional skills-writing all but two tracks. Best described simply as a “Kevin Eubanks” recording-without specific categorization-as his intent with The Messenger is to communicate the breadth of his artistic influences.

“I wanted to branch out a little bit more on this recording,” Eubanks states in a news release. “I didn’t want to be as concerned with the ‘jazz sound’ as much; I wanted to let out a little bit more of what I’ve been musically exposed to.” Eubanks compares this philosophy to sports: “It’s like with professional athletes; most of those guys can play three or four sports. Society makes you choose one or the other. But that doesn’t change who you are inside,” or in Eubanks’ case, preventing him from showcasing his versatility on this album.

Eubanks is joined on most tracks by his sterling fellow quartet members: Billy Pierce on reeds, Rene Camacho on bass, Marvin “Smitty” Smith on drums and Joey De Leon, Jr. on percussion. This project also has a family flavor, featuring younger brother Duane on trumpet (“Sister Veil,” “JB,” “420”), and older brother Robin on trombone (“JB,” “Queen Of Hearts”). For Eubanks, in addition to his brothers making valuable contributions to this recording, their involvement is representative of something more.

“Their participation came about through some conversations that we’ve had, and I asked them if they’d like to be a part of the record. We’ve actually been talking about doing a family project for years, so their participation is really an entry to that,” he says.

The Messenger is Eubanks’ testament to being musically honest. It’s a realization of what he feels is particularly important at this point of career and his life.

“I feel that I’m at the point where I just have to be me,” he says. “I want to do what has the most immediate honesty, and just lay it out.” Throughout the album there is a feeling of exploration and revelation that invites the listener in. The guitarist never ceases to surprise, creating a program reflecting that honesty-offering a full range of moods, textures and tempos.

With this album, Eubanks takes another step in his evolution not only as a guitarist and composer, but also as a musical communicator. It’s his way of making a statement about his personal view regarding the musical spectrum and its place in our lives, with sincere ideas of spreading the word to others. Arriving at the name of the title tune, Eubanks explains, “There is an urgency about it; it has the energy of a message that really should get across. The Messenger, I feel, is in everyone. We’re at the point [in our lives], that whatever it is that you feel strongly about, that can help a person or persons that you love, or a situation that affects your life…you should let that message out”.