Notice: Function amp_is_available was called incorrectly. `amp_is_available()` (or `amp_is_request()`, formerly `is_amp_endpoint()`) was called too early and so it will not work properly. WordPress is currently doing the `init` hook. Calling this function before the `wp` action means it will not have access to `WP_Query` and the queried object to determine if it is an AMP response, thus neither the `amp_skip_post()` filter nor the AMP enabled toggle will be considered. It appears the plugin with slug `jetpack` is responsible; please contact the author. Please see Debugging in WordPress for more information. (This message was added in version 2.0.0.) in /home/mitchmus/public_html/wp-includes/functions.php on line 5831
hip hop

Summer of ’96 showcases originality of jazz/hip-hop fusion

The summer of 1996 was a turning point for singer/rapper/producer Lonnee Stevens and composer/producer Antman Wonder. Not only did the remarkable music of the time point them in the direction of their future careers, but it was the moment when both men took their first steps in the transition from avid fans to creators. Joining forces for the first time as Summer of ’96, Stevens and Antman draw inspiration from the individuality and innovation of that foundational year to discover new pathways into the juncture of hip-hop, jazz and R&B on their debut album, Splendid Things Gone Awry, available July 21 via Unsociable Music/RED.
“1996 was the coming of age for music for my generation,” says Stevens in a news release, citing particularly hip-hop’s unparalleled flowering but also an impressive year for inventive rock music: Sublime’s self-titled debut, DJ Shadow’s Endtroducing…, Beck’s Odelay, and countless others. “Everything sounded so new, just as we were coming of age as creative people.”
Although the fusion of jazz and hip-hop reached a pinnacle in the mid-’90s, the two musics had been intertwined since hip-hop’s beginnings. The always forward-looking Herbie Hancock was one of the earliest pioneers, pointing the way to the future with his 1983 smash hit “Rockit.” As Antman puts it, “One begat the other. Jazz influenced hip-hop majorly, especially in the Golden Era. Hip-hop introduced me to Chick Corea, Herbie Hancock and [producer] David Axelrod through the music that was sampled when I was growing up by people like DJ Premier, Pete Rock, and Just Blaze.”
Hancock’s former boss, Miles Davis, was of course at the forefront as well, collaborating with producer Easy Mo Bee for his final album, Doo-Bop. Hip-hop producers sampled jazz grooves and melodies from the beginning, including Gang Starr’s “Words I Manifest,” which sampled Dizzy Gillespie’s “Night in Tunisia,” and UK-based Us3’s ubiquitous 1993 hit “Cantaloop,” built on the infectious hook from Hancock’s “Cantaloupe Island.” Central to the Summer of ’96 idea are the efforts of the Native Tongues collective, a loose-knit group of hip-hop pioneers that included A Tribe Called Quest, the Jungle Brothers and De La Soul (who released their direction-changing fourth album, Stakes Is High, that year).
Flash forward to today, when those artists’ innovations paved the way for a new generation of jazz/hip-hop fusion. Artists like Flying Lotus, Thundercat and Kamasi Washington are redefining the marriage of the two musics (among other influences) while leading rappers like Kendrick Lamar are finding new ways to draw upon jazz approaches.
Enter Summer of ’96, who don’t so much channel the music of their namesake year as they continue in its spirit of reinvention and individuality. Splendid Things Gone Awry is a rarity in the streaming age, a true album with a central mood and an experimental spirit. The duo built the album via a long-distance collaboration between California native Stevens’ Atlanta digs and Antman’s Philly base. The music is entirely original, using live instrumentation and no samples, with compositions created and played by Antman and restructured and adde onto by Stevens.
“Today everything is synthesized,” Stevens says, “but back then everything was sampled, and it was sampled from soul and jazz records. When we got together, we decided we wanted to make a record that sounds classic but using all original stuff.”

Oakland-Based rapper Kafani to talk about gun violence on radio show

Rapper Kafani

Rapper Kafani

The Bay area’s Ice King – Kafani – is speaking out against gun violence in the wake of the recent Newton, Conn., school massacre that left 28 children and adults dead. The rapper known for hits such as “Knock `Em Down” and his current single “Swag Swerve” will be live and unplugged on the nationally syndicated “Street Soldiers Radio Program” from 8 to 10 p.m. Pacific time on Sunday, Jan. 20, 2013.  He’s been invited on to discuss how gun violence is affecting the urban community and how it also affected him personally.

In November 2011, a Kafani music video was being shot in a West Oakland liquor store parking lot when over 50 gunshots were fired into a crowd of people on the set. Eight persons were hit, including the one-year-old son of Kafani’s cousin Hiram Lawrence.

It’s an area that covers less than 5 percent of the city in space but accounts for 90 percent  of the city’s shootings and homicides. The baby slipped into a coma and died eleven days later.

Some believe the shooting was retaliation over a beef between Kafani and rapper Lil B, but there’s been no evidence to confirm the assertion.

“I hate this whole thing happened to my cousin’s son,” says Kafani in a news release. “He didn’t deserve that. He was a happy, energetic kid. I don’t glorify violence in my music. It’s about living life – not taking it. We as a country need to do something to change the violent culture in the inner city. I was raised in the hood, and I came from the struggle. I was in the streets and made my way to college, although I didn’t finish. Unfortunately, I landed in prison for robbery; from Penn State to the pen.”

However, upon his release, Kafani turned his life around and has built a successful career and business off of his rapping skills. Street Soldiers has been on the air since 1991. The weekly radio call-in show is sponsored by the Omega Boys Club and focuses on the issues of violence, gangs, drugs, teen pregnancy and other topics related to inner-city youth. The host of Street Soldiers is Dr. Joseph Marshall, executive director of the Omega Boys Club. The program was syndicated in 1997 and is heard in 12 radio markets with a weekly listening audience of 300,000. Listeners can listen live each week online at www.iheartradio.com. For the 411 on The Ice King, go to www.kafani.com or follow him on Twitter.