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Burning Ghosts release ‘Reclamation’ now available

Burning Ghosts photo by Eron Rauch

According to a recent news release, Burning Ghosts is a politically motivated quartet at the forefront of the jazz-metal underground featuring four of the most acclaimed musicians in the L.A. experimental music scene. Playing scorching instrumentals that touch on heavy metal and jazz, the music is uncompromising and intense, filled with precise rhythmic complexity and textural power. Their first release on Tzadik is an incendiary blockbuster and is destined to become an instant classic!

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arts jazz releases U.S. U.S. Northeast U.S. West United States

Guitarist Kevin Eubanks merges musical landscape of East and West coasts

Since his 18-year tenure as guitarist and music director of TV’s “The Tonight Show” band ended in 2010, Philadelphia-born guitarist, composer Kevin Eubanks has been on a creative roll. On East West Time Line, Eubanks explores the chemistry he maintains with musicians on both coasts. And once again, his distinctive fingerstyle approach to the instrument is in the service of tunes that run the stylist gamut from urgent swingers to introspective ballads to Latin-tinged numbers and some get-down Philly funk. The Mack Avenue Records project is set for release on April 7.
Joining Eubanks on this stellar outing are longtime collaborator and former Berklee College of Music schoolmate, drummer Marvin “Smitty” Smith, who fuels the West Coast outfit alongside seasoned session bassist Rene Camacho, percussionist Mino Cinelu and saxophonist Bill Pierce. Smith’s East Coast counterpart on this bi-coastal session is the irrepressibly swinging Jeff “Tain” Watts, a force of nature on the kit who combines with bassist Dave Holland, Philadelphia-based pianist Orrin Evans and New York trumpeter Nicholas Payton for a potent lineup. Together these great musicians bring out the best in Eubanks’ six-string prowess and ignite his searching instincts throughout the sessions in Los Angeles and New York.
“Of course, we all came up through New York,” says the Philly guitarist who broke in with Art Blakey & The Jazz Messengers during the early ’80s in a recent news release. “But we also got the benefits of seeing the East Coast down and dirty and Hollywood down and dirty, too. We combined both vibes on this recording-the kind of Latin vibe of Los Angeles and the straight-up swinging vibe of New York.”
Overall, Eubanks seems exceedingly pleased with the copacetic nature of his first bi-coastal recording. “I think because I’m so familiar with all the musicians and we played together over the years in different settings, on different tours, that it helped the music quite a bit. There’s something that goes with friendship, knowing everybody’s journey to a large extent, that really enhances the communication between the players on a session. It’s that thing where everybody’s pulling for each other to do well and trying to make each other sound better, and you keep your ego out of it. We all have egos, we’re human beings and everything, but through the love of the music and wanting the best, good things happen. It’s really such a wonderful kind of democracy that you don’t see in other things. I think jazz music is the most perfect example of democracy in action.”
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Seven Wonders of the Ancient World inspire saxophonist’s second project

wondersStraight-ahead jazz’s fixation on the past can often lead to stagnation. But on his dazzling new album, Wonders, Los Angeles-based tenor saxophonist Scott Jeppesen attacks the problem in an unlikely way: he reaches way further back. So far back, in fact, that there’s no room for imitation. The album draws its inspiration from the Seven Wonders of the Ancient World — and without photos or videos or first-hand accounts, Jeppesen says he had to dream up what these millennia-old places might have been like.

“Part of the allure of these wonders is the fact that they’re not there anymore — that provides challenges, but it also provides freedom,” Jeppesen says in a recent news release. “I did a lot of my writing for this album at the piano, closing my eyes and thinking, ‘What if I was actually living in those places — what could that possibly be like?’”

Recorded with an expert quintet, Wonders demonstrates not only Jeppesen’s silvery tone and his suspense-building skills as a soloist, but also his talents as an arranger and composer. He has written and arranged for such world-famous talents as Stevie Wonder, Dave Brubeck and Steve Miller on tours and in televised performances. These experiences have helped mold his approach.

But Jeppesen’s biggest influence came early, from the late saxophone legend Joe Henderson, who mentored Jeppesen when he was still a teenager growing up in Sacramento.

“The guys I’ve worked with down here in L.A. have influenced my work in many ways, but I always feel Joe exerts the strongest pull on me,” he said. “Sometimes he would play bebop and other times he’d play stuff that made you say, ‘What in the world was that?’ His message to me was: If you hear a sound that’s what you should play — no matter how quirky, weird, or what time signature it was in — because your ears don’t lie. In spite of all the rules and boxes that are placed around you when you’re going through the jazz education system, make sure to focus on what are your ears telling you to do, and follow them into the unknown.”

Jeppesen is about to complete his doctoral degree in Jazz Studies at the University of Southern California, finishing many years of schooling that have put him under the tutelage of many notable mentors such as Shelley Berg and Bob Mintzer. Jeppesen wrote much of Wonders in sessions with esteemed pianist Russ Ferrante, of the Yellowjackets, who challenged Jeppesen to embrace the harmonic complexity of his own ideas, and to “start to think polytonally.”

With help from fellow emerging L.A. musicians Larry Koonse on guitar, Josh Nelson on piano and keyboard, Dave Robaire on bass and Dan Schnelle on drums, Jeppesen interweaves elements of funk and early-1970s electric fusion with sleek but heady modern jazz. He fits it all snugly into the format of a straight-ahead quintet, leaving space when needed and dialing up the intensity with masterful control.

Wonders follows on the heels of Jeppesen’s well-received debut, 2014’s El Guapo, which received glowing reviews from many outlets, including DownBeat (the magazine singled out Jeppesen’s “creative writing” and “swinging playfulness”).

https://youtu.be/IVx6_kRJff4

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