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Pop icon Seiko Matsuda’s first jazz project goes into high gear

With over 40 music awards, a record of 24 consecutive No. 1 single hits on Japan’s Oricon charts and several hits on the U.S. Billboard Dance Chart, Seiko Matsuda has been active internationally since 1980. Now, after six years of planning, Matsuda finally unveils her first jazz album Seiko Jazz (available via Verve).
Known as the “Eternal Idol” in Japan due to her long standing career as a pop culture icon, Matsuda has historically collaborated with jazz greats in the past while leaving a visible footprint within its scene. In 2011, famed producer Quincy Jones invited her to take part in his iconic, career spanning “Quincy Jones and the Global Gumbo All-Stars” concert at Los Angeles’ legendary Hollywood Bowl. The following year, Matsuda was a featured artist on the contemporary jazz supergroup Fourplay’s album Esprit de Four. Upon celebrating the 35th anniversary of her debut in 2015, she won the Japanese equivalent of a Grammy Award when she received Best Vocal Performance at the Japan Record Awards.
Seiko Jazz marks the critically acclaimed singer’s debut jazz album, produced by Shigeyuki Kawashima (the first Japanese jazz producer to receive a Grammy® Award) and arranged by Grammy Award-winning bandleader David Matthews. Matsuda is joined by Matthews’ Manhattan Jazz Orchestra to present standards such as “Smile” and “The Way We Were,” as well as the Bossa Nova staple “The Girl From Ipanema” in a way that showcases the cornerstones in the history of jazz.
“I am not only overjoyed to be able to release my album with Verve, but I also feel I have turned over a new leaf after 37 years,” Matsuda says via news release. “Holding this special appreciation to all of the people who have supported me throughout the my career, I only hope to become a better version of myself by constantly learning and taking on new challenges.”

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Producer Rio Sakairi pays tribute to Japanese earthquake/tsunami victims with project

“Call me romantic, but I believe in the power of music and its ability to heal and uplift,” said Rio Sakairi, director of Programming at The Jazz Gallery, an internationally recognized breeding ground for young musical talent in New York City in a news release. It is this sentiment that inspired her into action, when a 9.0-magnitude earthquake struck off the coast of Japan on March 11, 2011. Marking one of the worst natural disasters on record, the earthquake spawned devastating tsunamis and a subsequent nuclear crisis. The insurmountable destruction claimed tens of thousands of lives, and the world watched in horror. For Sakairi, it was more than an unfathomable tragedy; it literally hit home.

Born and raised in Tsuchiura, Ibaraki – just two hundred miles from the severely ravaged Sendai area – Sakairi was inspired immediately into action. She called upon an esteemed roster of friends and colleagues within the thriving jazz scene, and they came together to create a gift to those who suffered such incredible loss. HOME – Gift of Music is an eight-song manifesto of hope from some of today’s most innovative musicians in jazz and beyond, including Gretchen Parlato, Doug Wamble, Becca Stevens, Alan Hampton, John Ellis and Claudia Acuña. Scheduled for release on September 11, 2012, on Sunnyside Records, the singer-songwriter leaning repertoire captures the huge emotive capacity of the artists, with an intimacy as personal as a love letter. The fullness of their hearts is evidenced by the immediacy with which they were able to unlock their overflowing expression of compassion, empathy and, ultimately, optimism.

Sakairi’s reputation as a concert producer has placed her among the most influential figures in the jazz field. Her creative ideas, understanding of new trends, track record of discovering and nurturing new talent, and impeccable artistic standards have captured the attention of such seasoned experts as George Wein. Now stepping out as a record producer, Sakairi demonstrates her musical sensibilities and convictions as a philanthropist.

The musical and social camaraderie that Sakairi has so uniquely fostered over the last twelve years at The Jazz Gallery undoubtedly came into play during the recording. The artists donated their time and talents, penning personal songs specifically for this project. All proceeds from HOME – Gift of Music will go to Habitat for Humanity Japan, where volunteers are working tirelessly to rebuild homes for those affected. Studio time, engineering, artwork, graphic design, distribution, marketing and PR services were also generously donated.

“All of the songs were written with very short notice and there was no rehearsal,” says Sakairi. “It’s pretty magical the way everything came together. It was all done in just one or two takes.”

Sakairi’s mentoring skills proved instrumental, pushing artists not only beyond the jazz realm, but for some, out of their comfort zones; most notably with the contribution of the multi-reedist John Ellis, who makes his debut as a vocalist on the pensively assuring title track.

“I just knew he could do it,” says Sakairi, who has commissioned Ellis three times for The Jazz Gallery’s notable commissioning program. “Every time I push him, he rises to the challenge, delivering results above and beyond my expectations. It turned out to be great, exactly as I thought it would.”

In the age of the five-minute attention span, and in a world with no shortage of catastrophes, Sakairi is working hard to remind everyone that, although the tragedy in Japan may not make the front page today, people are still hurting and the road to recovery is long and difficult. HOME – Gift of Music is a testament to the enduring spirit of the people of her native homeland, and to the ability of music to leave an ineradicable impact.

“Action is how we show that we love and we care,” says Sakairi. “Action is the only way to combat helplessness. I took on this task because this is my home.”