Month: June 2012
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| Photo credit: Matt Furman |
Who is Abiah? These are the bare facts: he is a seasoned balladeer possessed of a five-and a half octave range; an established vocal coach and former Universal Republic recording artist; and he is of Ghanaian, Cuban, Native American descent, though raised in Rochester, NY.
While that background remains a part of his roots and identity, 2012 marks a musical, professional and personal evolution for the singer-songwriter. Previously known as “Jeremiah” in the music world (full name Jeremiah Abiah, the latter of which means ‘God is my father’), Abiah sets forth his highly anticipated sophomore album, Life as a Ballad, reflective of a long journey towards his intensely personal sound and overall musical growth – consisting of nine self-penned originals.
Growing up in a musical home – his mother an accomplished concert pianist – induced a love for learning about the nuances of the singer’s art and craft that found him studying at the Eastman School of Music as a young teen where he studied with legendary chanteuse Renee Fleming’s mother, Patricia Alexander. Afterwards came enrollment at Syracuse University and The New England Conservatory for operatic training. Abiah‘s pre-undergraduate obligations were completed while on the road, where he quickly found work as a backing vocalist for George Michael and while in college he also landed a steady gig with Yolanda Adams.
“There was a moment when I thought I had lost my voice. “I was experiencing growing pains which were hard to decipher at first but eventually they helped me to trust my heart, sound and aesthetic again. I thought I would never record again. I even toyed with the idea but the music perpetually tugged at me. Changing my stage name was the impetus of a new beginning,” says Abiah in a news release. “This is how Life as a Ballad was born as I dealt with the idea of finding beauty in the dark, that glimmer of light when all hope seemed lost.”
“I’m not opposed to major labels. I just believe an artist needs to keep his finger on the pulse of everything. It’s hard to be artist and business, but it is necessary,” says Abiah. “Initially I was angry and came out pointing fingers, but the healthier aspect became, what did or didn’t I do? Taking that responsibility has given me power and greater perspective.”
This recording is the result of Abiah‘s steady and patient march over a decade in New York, finding the perfect songs and session mates to support his vision. Like any astute young artist in pursuit of a unique bespoke career path, Abiah wisely sought out collaborators who were of highly skilled and veteran pedigrees, and of course, simpatico. Notable among those collaborators are very well regarded young pianist Robert Glasper, who is Abiah‘s cousin who he met in earlier days while they cut their musical teeth in the New York’s music landscape. Marvin Sewell, the album’s stellar guitarist, has been a frequent flyer in Cassandra Wilson’s ensemble since the late 1990s as well as Jack DeJohnette.
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| Gabriel S. Hardeman |
According to a recent news release, singer-songwriter Gabriel S. Hardeman, 68, best-known for co-writing R&B star Stephanie Mills’ 1987 #1 hit “I Feel Good All Over” and Teddy Pendergrass’ “Truly Blessed”, died on Saturday, June 16 in the Philadelphia area from complications of interstitial fibrosis. He was diagnosed with the illness in May 2000 but with medication functioned well until 2005, when he started intermittently using a portable oxygen tank. His condition improved after a 2009 single lung transplant at the University of Pennsylvania Hospital, but he recently began contacting friends to say that his prognosis was grim and to say goodbye.
Born December 13, 1943, in College Park, Ga., where his father was an African Methodist Episcopal pastor. He kicked off his music career by singing and playing piano at his dad’s church. His parents moved the family up north for better financial opportunities when he was still a youth. They settled in Harrisburg, Penn., before finally moving to Philadelphia where Hardeman graduated from William Penn High School.
After graduation, he briefly joined R&B band, the El Dantes, before going off to West Virginia State College as a physical education major. Upon graduation, he worked as a physical education teacher, and it’s during that period that The Gabriel Hardeman Delegation was born.
“There was a talent show, and I wanted to get some kids together and do some gospel music,” he told Rashod Ollison at Philadelphia Inquirer in 2001. “’Oh Happy Day’ was hot then. I had about 40 kids, and the next thing you know, word got around and we had like, 80 kids in the choir.”
They started performing throughout the year, but he’d lose his best singers as they graduated from high school, so he decided to create an independent group and named it The Delegation in 1973.
“We were doing then what folks like Kirk Franklin are doing now,” he told the Inquirer. “We would go into these conservative churches, and they would tell us we were doing the devil’s music.” The group signed to Savoy Records, where they recorded hit albums such as the self-titled LP that featured the radio hit “Feels Like Fire” and earned a Grammy Award nomination.
Hardeman became disenchanted with the politics of the gospel world and retired from recording for a while. However, he and his wife, Annette Hardeman (from the disco era trio, First Choice, best known for “Dr. Love”) began to write songs together. They wrote Stephanie Mills’ #1 R&B hit “I Feel Good All Over,” Mikki Howard’s #2 R&B smash “Love Under New Management” and a “This Is the Last Time” and “Truly Blessed” for Teddy Pendergrass. They also did backing vocal sessions for R&B acts such as Patti Labelle, Phil Perry and Phyllis Hyman.
Eventually, the industry demand for them to write more salacious R&B music conflicted with their faith, and they devoted themselves to writing and producing gospel music. Aside from writing for gospel acts such as Edwin Hawkins and the Wilmington-Chester Mass Choir, Hardeman recorded his own albums for the Messiah and Birthright labels before making a comeback with the Stellar Award nominated To the Chief Musician CD in 2001. Hardeman returned to Atlanta in 2003 to take care of his elderly parents, and he became a pastor in the Belleview Circuit AME Churches in the city. He returned to Philadelphia in 2008 to take advantage of the better medical facilities in the city.
He is survived by his wife, Annette Hardeman, and their son, Michael.
With countless achievements including a Grammy Award nomination, several MTV awards, and a performance at the opening ceremony of the 2004 Athens Olympic Games, Tiësto, a.k.a. Tijs Verwest, is one of the most recognizable electronic artists worldwide. He has developed an incredible following over his career and compiled more than 12 million Facebook fans, 1 million followers on Twitter and over 300 million hits on YouTube.
“We’re proud to bring our users one of the best music apps out there from one of the best DJ’s of all time. Whether you’re a diehard Tiësto fan or just getting into the electronic genre, we know you’ll love this app – and will love it even more now that it’s free to download through App-o-Day,” said Andrej Nabergoj, founder and CEO of Iddiction Inc.
Developed by Penté Group alongside Tiësto, the Tiësto App allows users to stream Tiësto’s music as well as his weekly Club Life podcast using a custom Tiësto music player. The app also allows users to connect with fans worldwide, access concert footage, photos and tickets, and unlock full VIP access to Tiësto’s InTheBooth.com website.
Here’s how the app works, and how you can get the Tiësto app for free:
1. Download App-o-Day from the iTunes App Store, or visit App-o-Day on the web (http://www.appoday.com/), Twitter (www.twitter.com/appoday) or Facebook (fb.me/appoday).
2. Discover the best, newest, hottest daily app deals, curated and delivered to your phone, every day.
3. Get the app deal from the iTunes App Store. From June 9 to June 11, Tiësto’s app will be featured as the App of the Day.
App-o-Day is available in the iPhone and iPod App Store for free download here: http://itunes.apple.com/en/app/appoday-free-app-deal-day/id492105097.
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| Hot Club of Detroit. Photo credit: Anna Webber |
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| Anita Arnold |
Anita G. Arnold, executive director of Black Liberated Arts Center (BLAC) Inc. in Oklahoma City, OK, has been chosen to receive the Creative Women of Oklahoma Award at noon on Saturday, June 9 by Delta Kappa Gamma of the International Society for Key Women Educators.
Arnold learned in a letter that she would receive the Gamma State award as the author of “Oklahoma City Music: Deep Deuce and Beyond.” The award is given in recognition of Oklahoma women who excel through an expression of creativity that encourages, inspires and reaches children. According to the letter, “the extraordinary story of the place and people of Deep Deuce is exemplary of these qualities.
Delta Kappa Gamma Society of International Society for Key Women Educators is a professional honorary society of 150,000 women from 14 different countries. It is a membership by invitation only society. Among their several purposes are 1) To unite women educators of the world in a genuine spiritual fellowship and 2) To honor women who have given or who evidence a potential for distinctive service in any field of education.
Arnold, who is in the field of arts education, said she is thrilled to have been recognized by the international organization for the work that she has done.
“It is reflective of the great music history, traditions and African Americans in Oklahoma City. It is wonderful to know that others in our state and across the world think so highly of this history,” she said in a news release. “I am just an instrument to bring that awareness to Oklahoma. It is an honor, indeed, and an humbling experience to find myself in this place at this time.”
The affair will be held at Yukon High School. Arnold will do a book signing of “Oklahoma City Music: Deep Deuce and Beyond” at the event. She is an author of three other books.
For a decade now, Veda Brown’s BlackGospelPromo.com’s online media marketing has served as one of the most effective methods to reach the black gospel consumer. It reaches nearly 200,000 people daily and advertises everything from Tyler Perry movies to gospel superstar Kirk Franklin’s CDs. For a few years now, Brown has had the desire to create a compilation CD of gospel songs to market via her firm, and now the time has finally come just in time for Black Music Month.
“I’ve been wanting to do this for years,” says Brown, who is based in Philadelphia, Penn., in a news release. “So many of my friends in the industry have stepped up and allowed us to use their songs for this project, and I’m grateful. Indie labels and artists have become a major force in music so we’ve selected some of the best indie tracks to create a must-have CD compilation. “
Habakkuk Music has signed on to release not just one installment but also a series of compilation CDs with BlackGospelPromo.com. The first CD is entitled, “Got Gospel? The Best Indie Tracks, Yesterday, Today & Forever.” The project hits stores on Tuesday, June 5, 2012, and features this exciting mix of recent hits and future classics:
1. God is Great – Ricky Dillard and New G
2. Lord, You’re Mighty – Youthful Praise featuring J.J. Hairston
3. I Want To Say Thank You – Lisa Page Brooks
4. Window – Canton Jones
5. No Looking Back – Damita
6. I Give Myself Away – William McDowell
7. You That I Trust – The Rance Allen Group
8. The More I Seek You – Gail Holmes
9. Big -Valencia Lacy & Unquenchable Worshippers
10. Send Your Rain – Clint Brown featuring Marvin Winans
11. Alright – Gerald Scott
12. Mario Winans’ “Overcomer” Remix – Vickie Winans
13. Be Like You – Cheneta Jones
14. The Best Time of My Life – Bryan Wilson
To learn more about Habakkuk, visit www.habakkukmusic.com for more information.
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| Ivo Perelman. Photo credit: Peter Gannushkin |
Deep into a period of startling creative output, tenor saxophonist Ivo Perelman now releases not one but two recordings – both of which underscore his mastery of free improvisation and his command of his instrument’s hidden resources; and each of which embroiders a thread from his voluminous past catalog.
On The Passion According to G.H., Perelman has recorded with the Sirius Quartet; this remarkable string ensemble comprises top-drawer classical musicians who also have the rare ability to improvise at the level demanded by Perelman’s concept. In so doing, Perelman recapitulates his previous foray into string-quartet music (The Alexander Suite from 1998), but brings the potential of this collaboration to new heights of development. Despite the fact that sizable passages sound pre-composed, with the string quartet seeming to frame or echo the saxophone solos, the album is entirely improvised by all five musicians. As veteran jazz writer Neil Tesser says in the liner notes, “. . . Perhaps the most remarkable aspect of this album is this: not one note of it was written in advance.”









