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According to a news release, former Beatles Paul McCartney and Ringo Starr reunited on an American stage for the first time in 17 years during an historic April 2009 Radio City Music Hall benefit concert. The event will be broadcast in New York on THIRTEEN at 10:30 p.m. Sunday, April 29, 2012 (check local listings for broadcast dates and times in your area).
The Beatle reunion highlights the 90-minute “Change Begins Within” concert to benefit the David Lynch Foundation, a charity set up in 2005 by the iconic filmmaker David Lynch to fund Transcendental Meditation programs for at-risk youth, veterans with post-traumatic stress disorder, and women who suffer from domestic abuse and violence.
McCartney performs a set of Beatles, Wings and solo classics; Starr sings his own set of Beatle and solo hits. McCartney and Starr join together on stage for “With a Little Help from My Friends,” Paul’s rarely performed “Cosmically Conscious,” and Beatle fan favorite “I Saw Her Standing There.”
Also appearing on the broadcast are comedian Jerry Seinfeld as well as musicians Sheryl Crow (“My Sweet Lord”), Eddie Vedder and Ben Harper (“Under Pressure”), Moby and Betty LaVette (“Natural Blues”), Paul Horn, newly-elected Rock-and-Roll-Hall of Famer Donovan and Jim James (“Hurdy Gurdy Man”).
The concert was co-produced by Hoosick Falls Productions and David Lynch Foundation Television with executive producers George Verschoor, David Lynch, and Bob Roth.
It’s been nearly three years since the last BryanScary release. If this is the first times new fans will hear of Scary, then get ready: his new album, Daffy’s Elixir, is about to flood your ears with grandiose 70’s inspired experimental indie pop.
Having recently played Daffy’s Elixir in its entirety at NYC’s (le) Poisson Rouge venue and now plotting an Off-Broadway theatre work centered around the record, Scary is awing existing fans all-the-while quickly attracting new ones with this bold new project.
Scary‘s previous records garnered critical acclaim from the likes of Pitchfork, Rolling Stone, SPIN, Stereogum, USA Today, iTunes, Daytrotter, Perez Hilton, RCRD LBL, Paste, Filter, IFC, NY Post and endless others. But we believe BryanScary is at his peak with Daffy’s Elixir, a 70-minute opus two years in the making.
For fans lucky enough to be biting from the Big Apple, Scary will be playing a couple key shows in the coming months. He’ll be playing at Joe’s Pub (with fellow label-mates Little Tybee) on April 11, and the Daffy’s Elixir record release show on April 24 at Brooklyn Bowl.
Over the past decade, Stephen Hurd has distinguished himself as one of the leading voices in urban praise and worship music and his songs “Undignified” and “Lead Me to the Rock” are sung at faith gatherings around the globe.
Now, he’s preparing to release his most ambitious project yet, O That Men Would Worship, his sixth CD and the first on his own Hurd The Word recording label. He’s designed the new CD as a tool to inspire men to take on a greater leadership role in church worship services. Recorded live at The First Baptist Church of Glenarden in Upper Marlboro, MD, where Hurd is the minister of music, the collection is available in retail stores this week via a distribution deal with Central South Distribution Inc.
“My goal is to get men and especially men of color to realize that worship is not a feminine sport,” Hurd says in a news release. “In this season, I feel we should come together and lift up a sound that has the power to change families and strengthen communities and help brothers to get a glimpse of what real worship is. I think when men see other men worship it gives them freedom to worship without feeling emasculated.” Joining Hurd for this manly worship experience are Verity Records artist Jason Nelson, Christian pop artist Anthony Evans and Minister Deonte Gray who is a member of the 7 Sons of Soul vocal group. Hurd created an all-male sextet of singers to back certain songs and a coed group called Extol to back the CD as a whole. Aside from co-writing most of the songs, Hurd produced the 15-track set alongside up-and-coming producers Kenny Shelton and Anthony Brown. Celebrated producer Steve Ford, who’s worked with acts ranging from Phyllis Hyman to Richard Smallwood, created the lush string arrangements while the in-demand Phil Lassiter (John P. Kee, Marvin Sapp) delivered the horn arrangements.
“It was the easiest thing I’ve ever done,” Hurd says of the recording. “There was no drama. Everybody was excited to be there and came with the attitude of ‘What can I do to make this impact?’”
Although, Hurd began recording albums in the late 1990s, his first national CD release was 2004’s A Call to Worship (Integrity Music) that featured the Caribbean-styled radio smash, “Undignified.” The 2006 My Destiny (Integrity Music) CD featured the hit singles “Great Praise (The War Cry)” and “Destiny,” while his 2008 Top 10 Stellar Award winning CD, Times of Refreshing (Integrity Music), featured the radio single, “Amazing.” For more information, visit www.hurdthewordmusic.com.
According to a recent news release, the Multicultural Education Institute at the University of Central Oklahoma in Oklahoma City, named Anita Arnold, executive director of Black Liberated Arts Center (BLAC) Inc. as the 2012 Multicultural Citizen of the Year.
The ceremony was held March 9, 2012, at the UCO Student Union Ballroom. According to Dr. Silvya A. Kirk, the annual award is presented in recognition of excellence in multicultural education to an individual who must meet one or more of the Institute’s 10 selection criteria which include being an upstanding role model in the community.
Kirk said Arnold’s years of service in multicultural and diverse activities as well as involvement in the community was what influenced the committee’s decision.
Among the many programs that Arnold has presented that reflects multiculturalism include BLAC Inc.’s Statewide Professional Development Conference for Teachers and Artists as well as the Charlie Christian International Music Festival. For more than 21 years, Arnold has worked to establish a reputation of excellence in the arts and education by bringing to Oklahoma experts in education and music.
Arnold, an Oklahoma native, is the recipient of many local, state and national awards including the prestigious Governor’s Arts Award, City/County Pathmakers Award, Oklahoma Human Rights Award, and the ONE Award. She is also the author of four cultural history books on Deep Deuce and Charlie Christian. Her most recent book is “Oklahoma City Music: Deep Deuce and Beyond,” published by Arcadia Publishing, South Carolina.
The Dallas-based Black Academy of Arts and Letters (TBAAL) is presenting Ruby Dee at 5 p.m. EST on Sunday, May 13, 2012. Dee will perform in a special evening of spoken word at the historic Apollo Theater, 253 West 125th Street in Harlem, N.Y.
“Ms. Dee is a shining example of African American culture and history,” says TBAAL Founder and President Curtis King in a news release. “It excites me to see her still performing so masterfully, and I am certain the audience will be just as excited to be in the presence of one of our country’s foremost living legends.” The legendary actress was raised in Harlem and began her career there as a member of the American Negro Theatre. Over the years, Dee has appeared in such stage productions as “South Pacific” (1943), “Anna Lucasta” (1944), “Purlie Victorious” (1961) and “Checkmates” (1989). However, it’s her 1959 portrayal of Ruth, the long-suffering, inner-city wife of Sidney Poitier’s character, in the original Broadway production of Lorraine Hansberry’s “A Raisin in the Sun” that made her a star. It ran on the great White Way for two years and was then made into a 1961 film for which Dee won a National Board of Review Award as Best Supporting Actress. In the ’60s, Dee co-starred in several television series ranging from dramas to the primetime soap opera “Peyton Place” and the daytime soap, “Guiding Light.” In the years since, she (often with her late husband, actor Ossie Davis), has appeared in dozens of motion pictures such as Spike Lee’s “Do the Right Thing” and episodic television shows like “Golden Girls.” She’s earned seven Emmy Award nominations, including a win for a 1993 performance on Burt Reynolds’ “Evening Shade” sitcom and for a 1991 role in the telefilm, “Decoration Day.” Dee’s 2007 role as Mama Lucas in the 2007 film, “American Gangster,” starring Denzel Washington and Russell Crowe, earned her an Oscar nomination as best supporting actress. In 2004, Dee and Davis were recipients of the Kennedy Center Honors, and she shared a Grammy Award for Best Spoken Word Album with Ossie Davis for “With Ossie and Ruby: In this Life Together.”
Tickets are available online at www.Ticketmaster.com or by calling the Apollo Theater Box Office at (212) 531-5305.
On her 10th recording, vocalist Carol Welsman invites her followers to tag along on a spirited yet intimate adventure. The vocalist explores 14 classic songs on Journey (Justin Time Records), all inspired by her lifelong love of traveling.
While jaunting from city to city can be somewhat draining for most people, Welsman enjoys the same sense of happy wanderlust that she had the first time she flew to Boston from her hometown of Toronto to attend the Berklee College of Music as a piano performance major. Since then, she has jazzed thousands of fans everywhere from Tokyo and New York to Italy and Brazil; lived for years in France, Italy and Los Angeles; and continues to be an iconic figure in her home country of Canada, where she has received five Juno nominations over the course of her 15-year recording career.
While her rich discography includes numerous acclaimed recordings showcasing her powerful skills as a songwriter, Journey follows in the tradition of Welsman’s previous thematic excursions, including Swing Ladies Swing! A Tribute to Singers of the Swing Era (1999), What’cha Got Cookin’, a set of jazzed up country standards produced by Pierre and Mary Cossette (2005), the Japan-released Benny Goodman tribute Memories of You (2008) and Welsman’s the tour de force I Like Men, Reflections of Miss Peggy Lee, which earned the singer her fifth Juno nod for Best Jazz Vocal Album of the Year in Canada and was named one of USA Today’s Top 5 albums of the year (alongside Barbra Streisand and Mark Knopfler) and #3 album of the year in Jazz Times.
Produced by Welsman’s longtime band members, guitarist Pierre Coté and drummer/percussionist Jimmy Branly, Journey also features Marc Rogers on bass and a guest spot by trumpeter Ron Di Lauroon “You Came a Long Way from St. Louis.” Though most songs are sung in her native English, she draws on her fluency in French for “Volons Vers La Lune” (an exuberant, coolly swinging adaptation of “Fly Me to the Moon”) and the hauntingly eloquent “Si J’étais Un Homme,” and sings Portuguese throughout the first part of a spirited romp through Jobim’s “Samba De Avião.”
Beyond the compelling song list and Welsman’s unique interpretations, another fascinating element of this Journey is the fact that every tune was recorded in one or two takes, with the band recording 16 tracks in four days. Welsman prepared for the sessions with pre-production demos and, embodying the true essence of jazz, was open to changing course and improvising when the spirit of the song led the band in a different direction during the rehearsal session before recording. Her idea to drop the drums from “Route 66,” for instance, happened during the first run through the song in the recording studio.
“That’s the great thing about jazz, being open to making last-minute changes to make every song and arrangement flow just right,” says Welsman in a news release. “I wanted to play with the intimacy of the music, which means there could be a sudden change of attitude, as in ‘Never Make Your Move too Soon,’ which started out as a straight blues but seemed too forced that way. The result was that we were able to have a nice palette of colors with which to present this special array of songs. One of the key things was vibe. I didn’t want to be too over the top, but more on the quiet side so that you could put it on during dinner and then later it would lend itself to more detailed listening. Because we were drawing from so many sources and influences, I was amazed at the end that everything had an organic feel and was totally cohesive. All the themes connected as if we had somehow planned it that way. Dropping an instrument here and there definitely was part of the balanced approach we took.”
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Berkleemusic.com, the online school of Boston’s renowned Berklee College of Music, is launching Rock History, an online course that chronicles the evolution of one of the greatest periods of music. Rock History takes an in-depth look at the highs and lows of rock over the past 60 years; the key heroes and villains, the movers and shakers from the studio and the concert stage, and a behind-the-scenes look at the managers, industry executives, promoters, and cultural trends that shaped it. The course launches April 2, 2012.
Berkleemusic has tapped Steve Morse to author and teach Rock History. Morse brings a lifetime of real-world experience to the material. Steve was the senior rock writer at the Boston Globe for over three decades, and has contributed to other top-tier press outlets such as Billboard and Rolling Stone. He has also served on the nominating committee of the Rock and Roll Hall of Fame. Steve has a rich background in rock history, having interviewed and developed strong, decades-long ties with dozens of the most important artists and bands in rock, including the Rolling Stones (first seeing them in 1966), U2, Paul McCartney, Aerosmith, AC/DC, Bruce Springsteen, Bob Marley, Metallica, Joni Mitchell, Eric Clapton, Pearl Jam, Stevie Wonder, Coldplay, Tom Petty, and others.
“The new Rock History online course from Berklee is a comprehensive, interactive, and immersive way to experience the most important and interesting time ever in the music industry,” says Dave Kusek, CEO at Berkleemusic.com in a news release. “Steve Morse has such a wealth of knowledge and insight into what actually happened behind the scenes and the way the course is crafted, it is simply the most unique and exciting way to learn about this incredible time in the history of music. You will not find a better way to learn about and appreciate the classic albums and live shows that were created by the true legends of rock and roll, as the music industry ignited.”
Throughout the course, students will view exclusive, never-before-seen Berkleemusic video interviews with rock luminaries including: Joe Perry of Aerosmith; Bob Weir of the Grateful Dead; Mike Mills of R.E.M.; Ernie Isley of the Isley Brothers; George Clinton of P-Funk; producer Jack Douglas (who has worked with Aerosmith, Patti Smith, and John Lennon); promoter Don Law; Amanda Palmer; Hugo Burnham of Gang of Four; Duke Levine (who has played with the J. Geils Band and Aimee Mann); and English super-session drummer Dave Mattacks. Berkleemusic has also partnered with Wolfgang’s Vault to provide additional rare audio, video, and other forms of historical rock media presented in an educational context for the very first time.
“I have known Steve Morse for over twenty years,” concludes Aerosmith’s Joe Perry. “Steve is a musicologist and his love of music makes him a very enthusiastic teacher. Steve has an undying love of music and a proven ability to be one of music’s finest critics and writers.”
Berkleemusic will host a free live Rock History event in Berkleemusic’s studio Thursday, March 8 at 4 p.m. EST: an exclusive conversation between Rock History’s Morse, and Boston DJ John Laurenti. Laurenti joins Morse in the Pantheon of the Boston music scene. John is a DJ at Boston’s #1 classic rock station in Boston, WZLX is the music director at University of Massachusetts’ radio station, WUMB. Laurenti has also hosted a number of historical music documentaries shown on WGBH in Boston. To register, sign up at https://www.berkleemusic.com/openhouse-signup/.
At a recent concert, Anita Arnold, executive director of Black Liberated Arts Center (BLAC) Inc. in Oklahoma City, appealed to the audience to donate instruments that were not being used to the marching band at Frederick A. Douglass High School.
In a recent news release, Arnold said BLAC Inc. had purchased nine used instruments and another 10 or more had been donated by the public. She said the goal is to provide instruments to build the marching band to 100 members and provide instruments to five elementary feeder schools for a music program at the elementary school level.
“Zelia N. Page Breaux, an iconic music teacher and daughter of Inman Page, Langston University’s first President, had a similar strategy as she put in place a system that produced great musicians such as Charlie Christian, Jimmy Rushing, C. E. Pittman and so many more masters of music,” Arnold said. “I am honored to assist Charles Moore, band director in reaching his goals. We are both determined to bring Douglass back to its former greatness that produced merit scholars and legends.”
Indicating the seriousness of the project, Arnold said that every day of the school week, Moore loads up Douglass’ music instruments and goes to a different elementary school to teach music.
“He works hard at this daily routine and returns to Douglass to teach his students there. Mr. Moore is to be commended,” Arnold said. “In fact, Douglass’ band was the only Oklahoma band selected to participate in the Battle of the Bands competition in Houston last month. Douglass placed third in the small band competition. It shows that there is great potential for becoming nationally known again. Remember the music improves critical thinking skills and that is good for employers looking for employees. These contributions (money or instruments) are tax-deductible.”
Anyone interested in participating in the project may call Arnold at (405) 524-3800 or Moore at (405) 587-4200. Financial donations may be mailed to BLAC Inc., P.O. Box 11014, Oklahoma City, OK 73136.
