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mitchmuse – Page 33 – Mitch's Muse
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Baltimore jazz Mack Avenue Records perfomances releases United States Warren Wolf

Multi-instrumentalist Warren Wolf to release self-titled project on Mack Avenue Records on Aug. 16

The release of Warren Wolf, the eponymous debut album for Mack Avenue Records by Warren Wolf on August 16, will make it as apparent to jazz fans as it already is to jazz insiders that the 31-year-old vibraphonist is the next major voice on his instrument. 

Joined by a unit of authoritative swingers (bassist Christian McBride, pianist Peter Martin, drummer Greg Hutchinson, alto and soprano saxophonist Tim Green, and, on two tracks, trumpeter Jeremy Pelt), vibraphonist Warren Wolf, 31, offers a ten-piece program that admirably represents his singular blend of efflorescent chops, muscular attack, lyric sensibility, harmonic acumen, encyclopedic knowledge of hardcore jazz vocabulary, tireless groove and downright musicality.

“I’m trying to bring forth what most cats did back in the day, coming out right at you swinging, nice and hard, not a lot of hard melodies or weird time signatures,” Wolf said in a recent news release. “I like to play really hard, fast and kind of flashy. I like to take it to a whole other level.”
“What he does on vibes is pretty incredible,” said McBride, Wolf’s employer since 2007 in the Inside Straight band and co-producer of this album along with Mack Avenue EVP of A&R, Al Pryor. “You can’t hear Warren and not be highly impressed. Give him some music to learn, he pretty much has it committed to memory in a matter of minutes. In a couple of days, he has it on the piano. Then suddenly, he’s internalizing every part of the music-the melody, the chord changes, the song’s overall personality.” You’re listening to him, thinking, ‘Yeah, that’s what I had in mind.'”
Born and raised in Baltimore, where he currently resides, Wolf is less widely known to “civilians” than his bona fides would merit. Still, he’s anything but a newcomer on the scene. In addition to two self-released recordings and two dates for the Japanese market on which he tears through producer-selected repertoire with panache and an informed point of view, his CV includes gigs with such eminent veterans as McBride, Bobby Watson, Mulgrew Miller and Tim Warfield, and recent encounters with the Jazz at Lincoln Center Orchestra, the George Coleman-Joey DeFrancesco Quartet and a Music of the Modern Jazz Quartet project led by pianist Aaron Diehl, the 2011 American Pianists Association Cole Porter Fellowship winner. He also leads a strong working unit with Green, pianist Lawrence Fields, bassist Kris Funn and drummer John Lamkin.

“I don’t think there’s anything Warren can’t handle,” McBride said. “My dream for him is that he eventually gets to collaborate with the super-duper heavyweights. I can’t wait to see where he’ll go next.”


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Emtro Gospel Records gospel performances releases Tony Sneed United States

Tony Sneed’s single “My Heart Says Yes” climbs to #2 on Billboard’s Hot Gospel Songs chart

According to a recent news release, Grammy Award nominated recording artist and producer Troy Sneed’s latest radio smash, “My Heart Says Yes” is continuing to hold steady at #2 on Billboard’s Hot Gospel Songs chart for the second consecutive week. This summer, Sneed makes his first TV appearances in years on BET’s “Bobby Jones Gospel” and TCT’s “Dorinda Clark Cole Show.”

The public probably first noticed Sneed as a choir member in the film “The Preacher’s Wife.” He also coached the Georgia Mass Choir for the Whitney Houston soundtrack. He later recorded solo albums for Savoy Records before launching his own Emtro Gospel Records label in 2005. Ever since, the label has placed 18 songs by various artists on the Billboard Hot Gospel Songs chart, including a half dozen by Sneed such as “Work It Out,” “The Struggle is Over” (#1 for 12 weeks) and ”Hallelujah.”  His new Top 10 CD “My Heart Says Yes” is in stores now. For more info on Sneed, visit www.troysneed.netwww.Facebook.com/emtrogospel or www.Twitter.com/TroySneed.


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classic jazz jazz Mitch Winehouse performances releases swing United Kingdom world

United Kingdom jazz vocalist Mitch Winehouse releases debut “Rush of Love”

At age 60, United Kingdom jazz vocalist Mitch Winehouse is turning a life-long ambition into reality, showcasing his in-depth knowledge and sheer passion for jazz and swing music with a 11-track debut called “Rush of Love,” featuring a host of rarely uncovered classics as well as four brand-new tracks.


“We love singing in our family” Winehouse said in a recent news release, “I was always singing at home. But this is a dream come true and musically, it’s a great album.” 
Despite his own undeniable music talent, Mitch is also realistic about the assumptions that will be made about his newfound career choice: “If Amy wasn’t my daughter I wouldn’t be given this opportunity. I’m not stupid, I know that. But if I couldn’t sing I wouldn’t have been given the opportunity either.”

Teaming up with old family friend Tony Hiller, writer of ‘Save Your Kisses For Me’ and hundreds of other jazz and pop standards, was another logical step for Mitch who has, quite obviously, had the time of his life researching and compiling his music debut. 
“I had such a good time making this album,” Winehouse said. “We tried 40 songs we loved and worked through them with a pianist. If it didn’t work for us, we moved on, but just reliving them was enough.”

The album features the 1931 Bing Crosby classic ‘I Apologize’, and ‘Day by Day’, also later recorded by Crosby in 1946 as well as by Doris Day in the same year. ‘You Go To My Head’ has been re-worked by such fans ranging from Billie Holiday to Rod Stewart. Finally, the popular ‘April In Paris,’ taken from the 1932 Broadway musical ‘Walk A Little Faster’ and later performed by the likes of Louis Armstrong, is given the Mitch makeover.


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jazz Jimmy Amadie performances Philadelphia piano United States

Philadelphia jazz pianist Jimmy Amadie to release “Something Special” on August 16

Philadelphia icon Jimmy Amadie returns to the spotlight with a new project called “Something Special” on Aug. 16, 2011, and he will make his first public performance since 1967 at the Philadelphia Museum of Art at 5:45 p.m.  and 7:15 p.m. on Friday, Oct. 14.
Amadie, 74, has battled many struggles over the years, but he is happy to share his love of music with his fans. 
“This is the best time of my life,” Amadie said in a news release. “I’m 74 years old and I’m getting better every day.”
Amadie’s story has been recounted often since his miraculous return to the piano bench in the mid-1990s, but it bears repeating. The North Philadelphia native was a promising young pianist in the 1950s, accompanying the likes of Mel Torme, Woody Herman and Red Rodney, when his performing career was brought to an abrupt halt by severe tendonitis in both hands. Playing the piano suddenly became sheer agony, and Amadie was reduced to improvising only in his head for the next 35 years. 
He managed to maintain an influential presence on jazz through those decades thanks to his own teaching (students included Kurt Rosenwinkel, John Di Martino and famed TV composer Edd Kalehoff) and the publication of two highly-regarded instructional volumes: Harmonic Foundation for Jazz and Popular Music and Jazz Improv: How To Play It and Teach It. His own belated recording debut finally arrived in 1995, thanks to a series of surgeries and his own indomitable fighting spirit.
Just as his luck seemed to be improving he was faced with a further setback. Following the 2007 recording of The Philadelphia Story, he was diagnosed with lung cancer; having reached the summit of one mountain, he suddenly found himself at the base of another.

Something Special is, in many ways, a direct result of that diagnosis. Most people are forced to reassess their priorities when confronted with a life-threatening illness; for Amadie, the cancer, which he continues to battle successfully, helped him come to the decision of recording his first trio session.
“I didn’t know if I was going to get another chance to play,” Amadie said. “I decided to give it my best shot and play without holding back. I’m glad I did. I can’t tell you what I learned.”



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jazz Jazz Depot Oklahoma Oklahoma Jazz Hall of Fame performances tulsa United States

Olivia Duhon presents Fathers’ Day concert on June 19 at Jazz Depot in Tulsa

Olivia Duhon

One of Oklahoma Jazz Hall of Fame’s favorite vocalists, Olivia Duhon sings at the Jazz Depot, 111 E. First St. in Tulsa, OK, at 5 p.m. Sunday, June 19, 2011, for a special Fathers’ Day concert.  
One of Urban Tulsa’s “Hot 100” artists, a “Best of Tulsa” nominee, and the Jazz Hall’s Legacy Tribute recipient in 2009, Duhon performs throughout Oklahoma.  Accompanied by the Frank Brown Trio, Duhon delivers the standards that Ella Fitzgerald and Billie Holiday made famous with a “mesmerizing” voice.  General admission is $15, and reserved table seating is $20. Attendees may order tickets online at http://purchase.tickets.com/buy/TicketPurchase?organ_val=2762&pid=7047841
For more information, call (918) 281-8609.




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Gary Burton Gary Burton Quartet jazz Mack Avenue Records releases United States

Vibraphonist Gary Burton debuts new quartet, new project “Common Ground” on Mack Avenue Records

With Common Ground, Gary Burton, the Grammy-winning pioneer of the four-mallet technique of playing the vibes, is not only delivering his first studio album since 2005, but is also introducing his latest band. Known as the New Gary Burton Quartet, the group is comprised of guitarist Julian Lage, bassist Scott Colley and drummer Antonio Sanchez. 
Common Ground features 10 tunes, including six remarkable originals by quartet members as well as two impressive numbers by pianist Vadim Neselovskyi (a former Burton band member), a gem from the Keith Jarrett songbook and an intriguing arrangement of the standard “My Funny Valentine,” spotlighting Lage.
Well-known throughout his five-decade career for his quartets (beginning with his 1967 group featuring Larry Coryell, Roy Haynes and Steve Swallow), Burton is returning to the configuration for the first time since the mid-’90s.
The quartet served as a reunion of Lage with Burton, who has known the guitarist since he was a teen wunderkind and has featured him in his bands up until three years ago. (During the hiatus from working together, Burton was focusing on revisiting the 1973 chamber jazz classic Crystal Silence duo with Chick Corea, while Lage finished college and worked on his long-awaited debut album, Sounding Point.)
 “Julian has matured so much since I first met him 10 years ago when he was 12 years old,” Burton said in a recent news release. “Julian has kept on growing and developing a sound of his own. He’s a knock out.” Lage fills the quartet guitar chair that was once held by such rising-star six-stringers as Pat Metheny, John Scofield and Kurt Rosenwinkel, among others.
“I’ve always liked the vibraphone-guitar sound,” says Burton, whose masterful vibes glisten throughout Common Ground. “It’s something that I discovered when Nashville country guitarist Hank Garland invited me in the ’60s to record with him. The sound of the two instruments together has an ideal timbre and coolness.” For the quartet’s rhythm section, Burton called Sanchez, who has played with the vibraphonist on and off in recent years. But Colley is new to Burton’s employ. “Once I decided to have Antonio be a part of the group, I asked him what bass player he’d suggest, and he said Scott is the one,” says Burton. “They are a terrific rhythm team.”
While Burton has crossed multiple stylistic borders since he broke into the jazz ranks in the ’60s, he finds that he often returns to the straight-ahead jazz quartet setting. That’s why Common Ground by the New Gary Burton Quartet is so special to him. 
“Since my very first group in 1967, I can count maybe three times that one of my groups over the years clicked so perfectly,” Burton said. “Whenever I start a new group, I often wonder how things will work, to see if the musicians will enjoy playing together and are ready to take the music to a higher level. With the new band, I’m thrilled. It’s proving to be one of the standout bands of my career and has already quickly developed its own identity.”


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1933 Alex Pangman Canada classic jazz jazz Justin Time Records releases traditional jazz United States vocal jazz

Canadian jazz vocalist Alex Pangman makes U.S. debut with “33” on July 12

Canadian jazz vocalist Alex Pangman will make her Justin Time Records debut in the United States with a new disc, appropriately titled, 33, on July 12, 2011. 
The vocalist explains the meaning behind the title in a recent news release: “as a longtime devotee of music from the classic genre, I find something of a kinship with the music that buoyed nations through the ‘dirty thirties.’ The initial concept of this record was to honor that kind of spirit with songs popular in 1933; indeed the bulk of the material (save for one self-penned number) are songs that were popular in the year 1933 – recorded while I was 33.”
 Along with her longtime band the Alleycats and featuring guest vocalists Ron Sexsmith and Denzal Sinclaire – the music is presented with all the love, fun and respect it deserves.  
A compelling talent in her own right, Pangman’s voice can be regarded as even more impressive, knowing she received a double lung transplant just a few years ago. The smoke-filled venues where Pangman often frequented finally caught up to the singer, who was battling lung disease at the time. She reluctantly took a break to recoup; her interest in singing and playing music never waning. 
A bit of background: After discovering a songbook of classics at an early age, Pangman quickly began delving deeper into the sophisticated shellac of the 20s and 30s, which eventually led to a fortuitous connection with the late guitar great Jeff Healey, who knew a rare talent when he heard it. In very short order, Healey produced her impressive 1999 debut ‘They Say’ (Sensation Records) as well as the 2001 follow-up, ‘You Can’t Stop Me From Dreaming.’  While facets of Ella Fitzgerald, Connie Boswell and Ruth Etting could be discerned in Pangman’s zesty delivery, that crisp clear voice was unequivocally her own.
After receiving a Songwriter of the Year nod from the National Jazz Awards in 2001 and a slew of other nominations shortly after, Pangman quickly became busy scheduling collaborations with everyone from Grammy-nominated trumpeter Kevin Clark and the dashing Denzal Sinclaire to pianist Tyler Yarema and even Jim Galloway’s All-Stars. 


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Alfa Jazz Festival Igor Butman jazz Live Stream performances world Wynton Marsalis

Trumpeter Wynton Marsalis and saxophonist Igor Butman to perform Friday via Live Stream

From left: Saxophonist Igor Butman and trumpeter Wynton Marsalis 

According to a recent music release, trumpeter Wynton Marsalis will join Russia’s premier jazz musician, saxophonist Igor Butman in a concert that reaches across time and geopolitical borders.
Jazz – America’s model for collaboration and improvisation – will come to fans LIVE from Lviv, Ukraine’s cultural center at the Alfa Jazz Festival in Boghdan Khmelnitsky Culture Park. Participants will experience the rich, swinging feeling of jazz as two great musicians unite on the global stage on Friday, June 3, 2011 at 20:30/(1:30pm EST/10:30am PST). You can watch the Live Stream from Facebook and Ustream and on your iPhone using the (free) Wynton Marsalis app. http://www.facebook.com/wyntonmarsalis
http://www.ustream.tv/wyntonmarsalis
 
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blues folk Freihofer's Saratoga Jazz Festival gospel jazz festivals New York performances rhythm and blues Sing the Truth United States

Freihofer’s Saratoga Jazz Festival presents U.S. debut of “Sing The Truth!”

(From left to right: Angelique Kidjo, Dianne Reeves, Lizz Wright)



According to a recent news release, Freihofer’s Saratoga Jazz Festival at the Saratoga Performing Arts Center (SPAC) in Saratoga Springs, New York, will present the U.S. debut of Sing The Truth!, a new production that honors the music and spirit of great women of jazz, folk, R&B, gospel and the blues.  Featuring African-born songstress Angelique Kidjo, pre-eminent jazz vocalist Dianne Reeves, and genre-defying jazz singer Lizz Wright, this meeting of three critically-acclaimed, powerhouse vocalists will pay musical tribute to the legacies of three recently departed, iconic female artists: South African singer and civil rights activist Miriam Makeba, American jazz vocalist, actress, civil rights and political activist Abbey Lincoln, and “the Voice of the Civil Rights Movement,” American folk musician and human rights activist Odetta.  Sing The Truth! will also feature songs by other great women of music, ranging from Billie Holiday to Aretha Franklin, Joan Armatrading and Lauryn Hill, along with original songs.
The original Sing The Truth! premiered as a 2004 JVC Jazz Festival concert at Carnegie Hall, New York City, and celebrated the music of Nina Simone. 

The all-star Sing The Truth! ensemble for the Freihofer’s Saratoga Jazz Festival performance will feature Geri Allen on piano and keyboards, music director Terri Lyne Carrington on drums, James Genus on bass, Munyungo Jackson on percussion, and Romero Lubambo on guitars.  This remarkable group of musicians will go everywhere and anywhere that Angelique Kidjo, Dianne Reeves and Lizz Wright feel the music takes them.  The audience will be along for a memorable ride.
Freihofer’s Saratoga Jazz Festival at the Saratoga Performing Arts Center runs from Saturday, June 25 to Sunday, June 26, 2011.  Other artists scheduled to appear include Michael McDonald, Sharon Jones & the Dap-Kings, Dee Dee Bridgewater, George Wein & the Newport All Stars, Donald Harrison, Jr., The Bad Plus, Ben Allison, Marcus Strickland, and many more.  For the complete lineup of artists and performances, go to www.spac.org
Freihofer’s Saratoga Jazz Festival is produced by SPAC and Absolutely Live Entertainment.
Located in scenic Saratoga Springs, New York, Saratoga Performing Arts Center has been the site of the Freihofer’s Saratoga Jazz Festival since George Wein established it in 1978.  With an inside seating capacity of 5,200, lawn seating of 20,000, world class talent and just three hours driving time from either Boston or New York City, SPAC’s Jazz Festival draws thousands of jazz lovers from across the Northeast and the United States.



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Charlie Christian International Music Festival grady nichols jazz Kevin Eubanks Oklahoma Oklahoma City performances United States

Jazz saxophonist Grady Nichols, others highlight Charlie Christian International Music Festival on May 31-June 4


Tulsa saxophonist Grady Nichols has been added to the lineup of a concert featuring guitarist Kevin Eubanks. Eubanks, the former band leader for the “Tonight Show with Jay Leno,” will be performing at 7:30 p.m. Thursday, June 2, 2011, at the Civic Center Music Hall, 201 N Walker, in Oklahoma City, OK.
Anita G. Arnold, Executive Director of Black Liberated Arts Center (BLAC), Inc., said that the 2011 Charlie Christian International Music Festival will feature fresh, new talent in the almost week-long event along with some familiar faces.  The outdoor festival that runs June 3 and 4 at Bi-Centennial Park will showcase the musical talents of 10 bands playing continuous music throughout the weekend.

NIKKI & DA MIXX and Brother Enoch are first timers at the festival.  NIKKI & DA MIXX, a hip, swinging group from Broken Arrow promises to “light your fire” with the sultry vocals of Nikki Washington Givens.  Brother Enoch whose founding members are Timothy Haverkamp, John Carter, and Boris Connally met and formed their musical trio at the University of Central Oklahoma in the spring of 2010.  Timothy is an accomplished pianist and composer who completed a Masters Degree in Jazz Studies.  John is an established and experienced percussionist and has a Bachelor’s Degree in Psychology.  Brother Boris is a saxophonist, clarinetist, and flutist with a Masters Degree in Jazz Studies.  Their eclectic style is a combination of jazz, R&B, soul, classical, hip-hop, gospel and blues.
Familiar faces at the festival include Taylor Made Jazz, Kelvin Drake (Mr. Guitar), James Slaw & Friends, Jeremy Thomas Band, Cara Black Band, 411 Band, and the two headliners, Lao Tizer on Friday Night and All Funk Radio Show on Saturday Night.
The Charlie Christian International Music Festival adds a new family friendly performance piece, Amazing Children on Saturday afternoon.  From 3:00 to 4:00 p.m., the festival attendees will have a rare opportunity to see gifted children from Oklahoma City perform amazing feats during “friendly” student competition in solving rubrics cube puzzles in approximately one minute from the Dove Science Academy Elementary School, martial arts performed by championship students from M. L. King, Jr. as well as ballroom dancing.  Wilson Arts Integration School students will showcase their excellent talents in instrumental and vocal music.  Ms. Arnold said, “Too often the public has a negative perception of students today and they never get to see the amazing things that students can do.  We are delighted to put the spotlight on such talent.”
Wristbands for the two-day event may be purchased now for $10 per day or both days for $17 at the following locations: BLAC Inc., Capitol Square Station, Charlie’s Jazz, Rhythm & Blues Store, City Cuts and Design Group, Hopkins Haircare, KM66 and Learning Tree Toy Store.  For more information, call (405) 524-3800 or go to http://www.charliechristianfestival.com/.
BLAC Inc. is running a week-long special discounted ticket sale from Thursday, May 26 – noon Wednesday, June 1 on main floor seats.  This is the highlight of the Community Engagement Program.  All $40 and $60 tickets to the Kevin Eubanks concert will sell for $30 each.  
Sponsors for the festival include BancFirst, Friends of the Oklahoma Historical Society Archives, Oklahoma Centennial Commission, OG &E and The Oklahoma City Chapter of the Links, EMSA, The City of Oklahoma City and the Oklahoma Arts Council.