Tulsa’s jazz, Latin and Blues ensemble The Zuits will return at 7 p.m. Friday, April 23, 2010, to the Oklahoma Jazz Hall of Fame‘s Depot, 111 E. First Street (Upper Level) in Tulsa, OK. Dance lessons start at 7 p.m., and the show begins at 7:30 p.m. Tickets are $10.
For more information, call (918) 281-8600. Participants may also buy tickets at the door, which will open at 6:30 p.m.
The extra large dance floor will be rolled out, so participants need to wear dancing shoes and come enjoy the ensemble!
Author: mitchmuse
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Israeli guitarist-composer Yotam (full name Yotam Silberstein) swings hard with an all-star cast for his debut compact disc, “Resonance” (to be released on Jazz Legacy Productions).
The New York-based guitarist is joined by the stellar rhythm section of Christian McBride on bass, Aaron Goldberg on piano and Greg Hutchinson on drums. Special guest trumpeter Roy Hargrove also appears on faithful recreations of Clifford Brown’s “Daahoud” and Joe Henderson’s “Mamacita.”
“Aaron, Christian, Greg and Roy, in my opinion, are a few of the giants of their generation,” Yotam says in a news release. “I was very honored to have them on the record. We have have forged a special chemistry together. And I think you can hear that on the album.”
Yotam is known for his unusual musical blend of bebop, Brazilian music, American blues, Jamaican reggae and Israeli folk songs. According to his bio, he was born and raised in Tel-Aviv, Israel, and started playing guitar at the age of 10, focusing mostly on rock and blues.
In August 2005, Yotam received a scholarship to further his jazz studies at the New School in New York City. Less than a month later, he was selected as one of 10 top guitar players to participate in the semi-finals of the distinguished 2005 Thelonious Monk International Jazz Guitar Competition. In 2009, in addition to releasing his second release, he toured with the Sam Yahel Trio, opening for Steely Dan in major concert halls.
Since then, he has played in many of the city’s great venues with great jazz artists like James Moody, Benny Golson, Curtis Fuller, Louis Hayes, Jimmy Heath, Frank Wess, Junior Mance, James Spaulding, Pat Martino, Antonio Hart, Slide Hampton and Dizzy Gillespie Alumni All-Stars to name a few.
Brazilian vocalist Kenia, who reemerged on the jazz scene two years ago with the critically-acclaimed album “Simply Kenia,” will release on April 27 her latest project “Kenia Celebrates Dorival Caymmi” (Mooka Records).
Known for her ability to translate the complex rhythms of her homeland into jazzy creations that made her a star of the smooth jazz movement two decades ago, Kenia digs into Brazil’s cultural legacy on the 15-track session. She tackles the musical legacy of Brazilian composer and singer Dorival Caymmi who spent more than seven decades creating an aural portrait of Bahia, the stronghold of Brazil’s vibrant African culture. The author of such fabled standards as “Samba da Minha Terra,” “Doralice” and “Voce Ja Foi a Bahia,” Caymmi has long been recognized as a singular figure in Brazilian popular culture.
“Dorival’s music lies just between the two major movements in MPB (Música Popular Brasileira, or Brazilian Popular Music),” Kenia said in a news release, “the Samba of the 1920s and 30s and the Bossa Nova of the late 1950s and ’60s. Caymmi’s music served as a kind of a smooth transition between these two styles. And, although he had two very distinct lines of composition, the link between these two movements is characterized by his firm foundation of Samba, sprinkled with some Bahian spices.”
Brazilian musicians such as pianist Fernando Merlino, bassist Leo Traversa, percussionist Airto Moreira, guitarists Eric Susoeff and Marty Ashby, the singer’s son Lucas, who contributes his growing skills as a percussionist, and trombonist Jay Ashby, and sound engineer Jay Dudt collaborated with Kenia on this project.
Kenia is best known in the United States when she recorded with trumpeter Claudio Roditi on his album “Red on Red.” Several years later, she launched her solo recording career, producing four popular and critically-acclaimed albums for the MCA and Denon labels between 1987 and 1991. She also established herself as one of the most popular and successful U.S. based Brazilian musicians since the heyday of Sergio Mendes and Brazil ’66. In 1997, Kenia launched her own label, Mooka Records.
Cushing Community Theatre, 105 E. Broadway, Cushing, OK, presents “the Turn of the Worm” with dinner performances at 6:30 p.m. April 16-17, 2010 and 2 p.m. Sunday, April 18, 2010, matinee (no dinner is included at this performance).
The production is written by George Tubbles and directed by Sandra Williams. Cast members of “The Turn of the Worm” are Lucy Robinson, Ethelee Seeberger, John Alcorn, Zach Amon and Krystal Hutchko.
“The Turn of the Worm” is the story of elderly Italian sisters share an apartment and speak to each other only on Easter, Christmas and shopping days. This play turns into an experiment in love and understanding. It bristles with humor as lessons are learned by all. It’s tempered with thought-provoking content. It’s poignant, funny and suitable for all ages.
Tickets for the dinner performances are $25 per person (or $192 for a table of 8) and $12 at the door or $10 in advance for the Sunday matinee performance. Sponsors are the Oklahoma Arts Council and Escott’s Foods. For more information, go to www.cushingcommunitytheatre.
According to a news release, Grammy winner worship leader, songwriter and recording artist Israel Houghton will kick off his “Power of One” concert tour at 8 p.m. Friday, April 23, 2010, at The Richmond Outreach Center (ROC), 5501 Midlothian Turnpike, Richmond, VA. Houghton’s latest CD “Power of One” won him his third consecutive Grammy in January during the 52nd Annual Grammy Awards ceremony in Los Angeles. He won the award for “Pop/Contemporary Gospel Album” for the project and was honored with a “Best Gospel Song” nomination for “Every Prayer” from “Power of One.” Previously, Houghton and the New Breed won a 2008 Grammy for the CD “A Deeper Level” and in 2007 for “Alive in South Africa.” This year’s Grammy win marks Houghton’s first one as a solo artist.
In addition to his career as a recording artist, Israel Houghton is a worship leader at Houston’s Lakewood Church and a spokesman for international relief agency World Vision. He is also the recipient of six Dove Awards, two Stellar Awards and a Soul Train Award.
The program will also feature an appearance by comedian Mike Washington of BET’s “Comic View” TV program. Tickets are $20 and can be purchased at The Roc’s bookstore (804) 675-4101 or online at ticketweb.com.
The Richmond Outreach Center is lead by Pastor Geronimo Aguilar and his wife Samantha. It is the tenth fastest growing ministry in the nation according to Outreach Magazine Report.The Power of One Tour is sponsored by Bailey Productions in conjunction with Allen Management Group.
Got any plans for (tonight) April 9th? Come to Shades of Brown Coffee and Art, located at the corner of 33rd Street and Peoria Avenue in Tulsa, OK, at 8 p.m. to see Ithica‘s band member Damion Shade and Mercy Gallagher Teague throw down against the forces of spending a Friday night … not listening to awesome poetry. Side note: It is a music/arts performance. 😀 For more information, call (918) 747-3000.
Sapulpa Community Theatre presents “Everybody Loves Opal” on April 9-11 and 16-18, 2010. Evening performances are at 8 p.m. and matinee performances are at 2 p.m. The theatre opens 30 minutes before show time. Admission is $10 for adults and $5 for children and students.
“Everyone Loves Opal” is about Opal Kronkie, a middle-age recluse lives in a decaying mansion at the edge of the municipal dump. The general chaos of her home is aggravated by the fact that Opal collects things – anything that can be toted home in her little red wagon. Opal is also an optimist, for no matter how mean her friends, Opal responds with kindness and faith in the goodness of human nature.
Into her rather strange world come three purveyors of bogus perfume on the lam from the cops. Opal’s menage is the perfect hideout, and she might be the remedy for their shattered finances. Attempted murder wouldn’t seem to be funny, but here it is uproarious. The unsavory trio try to drug her and set the house on fire, and a plan for a hit-and-run accident backfires. Through it all, Opal radiates kindness, affection and strangely enough, gratitude. But the real clincher comes at the end when …
Sapulpa Community Theatre is funded in part by the Oklahoma Arts Council and The National Endowment for the Arts. Sapulpa Community Theatre is a member of Oklahoma Community Theatre Association, the American Association of Community Theatres, and the Tulsa Area Community Theatre Alliance. For more information, call (918) 227-2169 or e-mail stheatre@sbcglobal.net.
According to a news release, veteran pianist Jimmy Amadie adds another chapter to his remarkable life story with the May 11 release “Kindred Spirits,” which features an all-star lineup on a tailor-made selection of blazing swing and tender ballads. Each track features a collaboration with one of three saxophone giants: Lee Konitz, Joe Lovano, and Lew Tabackin. As always, Amadie calls on his crack rhythm team of drummer Bill Goodwin and bassists Steve Gilmore and Tony Marino, who adapt to each guest star with stunning dexterity.“Kindred Spirits” finds common ground linking individualistic musicians. As Amadie’s seventh CD, it follows in the footsteps of his last effort, “The Philadelphia Story,” which teamed the leader with Benny Golson, Randy Brecker, and Tabackin.
“I’ve been fortunate enough to record with some of the greatest players who’ve ever lived,” Amadie says. “It’s such an unbelievable experience because you get a chance to learn from them.”
For fans who follow Amadie, the journey has been a long one for him. Amadie has not only struggled with the extreme tendonitis in his hands which waylaid his musical life for decades, but he was diagnosed with lung cancer after the recording of “The Philadelphia Story.” He entered a year-long treatment of chemotherapy and radiation, but it has not stalled his love for music.
“There isn’t anything negative about the playing I did,” Amadie insists in a news release. “I did not play under bad circumstances.”








