Category: jazz

Categories
Carmen Intorre For the Soul jazz music new releases Random Act Records releases United States

Drummer/percussionist Carmen Intorre debuts first project ‘For the Soul’ on May 22

Drummer/percussionist Carmen Intorre is pairing up with producer Bob Belden on his debut album For The Soul (Random Act Records); the organ-based session covers a wide range of musical stylings from Stevie Wonder and Steely Dan to Chick Corea and Weather Report. Intorre is joined byJohn Hart on guitar, Jon Irabagon on alto and tenor sax, and Pat Bianchi and Joey DeFrancesco- two of the world’s most formidable jazz organists. The album swings within the tradition while expanding upon the vocabulary and boundaries of the idiom.
Currently, Intorre performs with legendary jazz guitarist Pat Martino, touring extensively throughout the world with the guitarist’s organ trio. He is always eager to uncover the latest information about music and drumming and to share that information with others. 

“This is my job. I have to give back what I was given a chance to do,” Intorre said in a news release. “Music is an opportunity for me to give upmy soul, while in the process connecting with the audiences’ souls as well. I want the musicians on the bandstand and the members in the audience to feel uplifted after a performance, to feel great about themselves through the experience that they encountered. That is what For The Soul is all about.”
Born in Buffalo, NY, Carmen Intorre developed an early interest in music and began playing drums at age five. A graduate of The Institute for Jazz Studies at the Juilliard School, he has performed and recorded with numerous musicians such as George Benson, Larry Coryell, Wynton Marsalis, Monty Alexander, George Coleman, Eric Alexander, George Cables, Benny Golson, Richie Cole, Joe Locke, Lew Tabackin, Bobby Watson, Ira Sullivan, Bobby Watson, and many others.
A 2011 Grammy nominee for his performance on the critically acclaimed album by Joey DeFrancesco entitled Never Can Say Goodbye: The Music of Michael Jackson, Intorre also had the pleasure of performing alongside DeFrancesco and Dr. Lonnie Smith on the PBS show Legends of Jazz, hosted by Ramsey Lewis. 

“Carmen is one of my favorite drummers; he has a very wide groove and strong beat, and most of all he swings his ass off! I love him!” says DeFrancesco.
Perhaps one word best describes Carmen Intorre and his music: Joy. Reminiscent of Billy Higgins, Intorre brings a palpable swing and drive to virtually all the tracks, making this a palatable musical feast “for the soul.”


Categories
InterStatic Jacob Young Jarle Vespestad jazz music Oslo RareNoiseRecords releases Roy Powell United States world world jazz

Jazz trio to release self-titled ‘InterStatic’ on June 12

The genre-defying triumvirate of adept pianist, organist, and composer Roy Powell, guitarist Jacob Young and drummer Jarle Vespestad comes out blazing with a vengeance on InterStatic, their self-titled RareNoiseRecords debut and second release overall, following their ambitious 2011 outing, Anthem. Seamlessly combining elements of jazz, experimental, ambient and rock, the scintillating power trio stretches in typically intense fashion, extending the organ trio tradition established by Jimmy Smith and taken to realms beyond on such groundbreaking recordings as Tony Williams Lifetime’s Emergency! (with Larry Young and John McLaughlin) and John Abercrombie’s Timeless (with Jan Hammer and Jack DeJohnette).
“I love all the organ players who have redefined the instrument and kept it relevant to successive generations,” says Hammond B-3 maestro Powell, who contributes six compositions on InterStatic in a news release. “That includes modern day players like Larry Goldings and Sam Yahel. I´m also very influenced by the sound of pipe organ music such as that of Olivier Messiaen, which I find to be almost an out of body listening experience.” Powell also performed on two recent RareNoiseRecords releases, bassist Lorenzo Feliciati’s Frequent Flyer and Naked Truth’s Shizaru.
With the remarkably flexible drummer Jarle Vespestad (known for his work with Tord Gustavsen, Silje Nergaard, Supersilent, and Farmers Market) alternating between deliberate, big-as-a-house backbeats to surging swing grooves to dreamy rubato playing, and Nordic guitar star Jacob Young summing up myriad tones and textures on his heavily-effected axe, Powell underscores with velvety B-3 cushions while layering on affecting organ melodies and Moog synth solos throughout this evocative collection.
Says Powell, a British émigré living in Oslo, “The music on InterStatic is a change in direction from Anthem in the sense that we were feeling our way on the first one and now we have found it. On this new recording we deliberately wanted to reference (Norwegian guitarist) Terje Rypdal and a general early ECM influence together with more modern bands like Air, Washed Out and post-punk bands like The Durutti Column. In other words, a mix of influences both old and new.”
Adds Young, “InterStatic has a stronger sense of direction than our previous album Anthem had, it has more of an innovative touch than traditional. Much of this has to do with concrete discussions we had about the musical direction we wanted to explore when rehearsing. Essentially, we got bored with making another album that sounded like something we had either done before or heard before. We wanted to get more out and away from the typical jazz scene in Norway and needed a new calling card.”
Powell describes the group’s mission statement on InterStatic: “To create an instrumental organ-guitar-drums band reflecting modern preoccupations, reflecting contemporary musicians’ diverse influences regardless of genre boundaries.”

Categories
california Europe festivals Jack DeJohnette jazz music Oregon performances United Nations United States world

Drummer/pianist Jack DeJohnette launches aggressive international schedule

Jack DeJohnette

Following the launch of his latest critically acclaimed album, Sound Travels (released January 17 on Golden Beams/eOne), as well as being named a 2012 NEA Jazz Master in January, drummer/pianist Jack DeJohnette will continue to celebrate his landmark 70th birthday year with high profile performances, festival appearances, among other activities. 

DeJohnette recently participated in the International Jazz Day inauguration at the United Nations in New York City on April 30 with Herbie Hancock (in his role as UNESCO Goodwill Ambassador), UNESCO Director General Irina Bokova, among other internationally recognized artists. 


“It was a great honor to be part of this extraordinary event. An amazing feeling to play in the UN General Assembly with my friends Herbie Hancock, Wayne Shorter, and Ron Carter honoring Miles Davis, and also playing with some of my other friends,” reflects DeJohnette in a news release. “As UNESCO ambassador, Herbie has created a historic event here and is expanding the awareness of  this great art form.”

On May 9, DeJohnette will begin a West Coast tour at The Shedd in Eugene, Ore., with a trio consisting of Chick Corea and Stanley Clarke. Billed as DeJohnette’s 70th Birthday Tour, the tour serves as this trio’s debut and will also headline Jazz Alley in Seattle (May 10-13) and Catalina’s in Los Angeles (May 15-20). The same trio will return to the West Coast in September, with performances at Yoshi’s San Francisco (September 5-8), The Opera House in Napa Valley, Calif. (September 9), and The Rio Theatre in Santa Cruz, Calif. (September 10).

DeJohnette has scheduled performances at several renowned festivals in North America this summer and fall, including appearances at two of the most prominent U.S. jazz festivals. On June 28, The Jack DeJohnette Group (featuring saxophonist Rudresh Mahanthappa, guitarist Dave “Fuze” Fiuczynski, pianist George Colligan and bassist Jerome Harris) – his working ensemble – will headline the Ottawa International Jazz Festival. On August 4, DeJohnette will headline the 2012 Newport Jazz Festival presented by Natixis Global Asset Management, performing in three different settings: with his working ensemble, his All-Star group (featuring guitarist Lionel Loueke, pianist George Colligan, bassist Christian McBride, saxophonist Tim Ries, percussionist Luisito Quintero, and trumpeter Jason Palmer) as well as a duo performance with Jason Moran. In September, DeJohnette will serve as the 55th annual Monterey Jazz Festival’s 2012 showcase artist, and will perform three times throughout the weekend (September 21-23), with his working ensemble, his Special Trio (with Pat Metheny and Christian McBride), and in duo with Bill Frisell.

Other notable appearances for DeJohnette throughout the year include participation in Pat Metheny’s five-day Summer Music Workshop beginning on August 20 as well as two European tours (in July with The Keith Jarrett Trio and in late September with his own group).

DeJohnette’s 2012 festivities will culminate with two performances: the long-awaited reunion of “The Gateway Trio,” featuring John Abercrombie and Dave Holland, at Chicago’s Orchestra Hall (a hometown performance for DeJohnette) on November 2, and a Keith Jarrett Trio performance at NJPAC in Newark, NJ on December 1.

Categories
Aspen Aspen Music Festival and School Boz Scaggs Colorado Dukes of September festivals jazz Jazz Aspen Snowmass Joe Cocker k.d. lang Michael McDonald performances rock Snowmass soul United States

K.D. Lang, the Dukes of September, and others to headline Jazz Aaspen Snowmass June Festival

k.d. lang
The Dukes of September
It has been announced in a recent news release that The Jazz Aspen Snowmass (JAS) June Festival returns to the Benedict Music Tent with a line-up including new faces and old favorites, an expanded JAS Café Downstairs at the Nell series, and the addition of a nightly pre-concert Lawn Party prior to the headline concerts.
           
The festival kicks off on Friday, June 22, 2012, with three of the biggest names in jazz-rock and soul, The Dukes of September, featuring Donald Fagen, Michael McDonald and Boz Scaggs.  Saturday, June 23 brings the iconic blues-rocker, Joe Cocker, to the stage, who last played at JAS in June 2003.  The first weekend concludes on Sunday, June 24 with pop/country singer/songwriter k.d. lang and the Siss Boom Bang in her first ever JAS appearance.    
The following two weeks will feature an array of eclectic performances at the JAS Café Downstairs at the Little Nell: on Friday, June 29 the French/Brazilian magic of vocalist Cyrille Aimee and guitar virtuoso Diego Figueiredo returns after wowing audiences with their January performances; Saturday, June 30 will feature the Gypsy Jazz of the Hot Club of Detroit; Thursday, July 5 the 14-piece Cuban Band Wil Campa Y su Gran Union takes the stage; and on Friday, July 6 New Orleans trombonist, and 21-year head horn playing in Harry Connick’s Big Band, Lucien Barbarin and the New Orleans Rhythm Revue will close out the Nell shows.  On August 10-11 singer/songwriter/guitarist Raul Midon will be featured at the JAS Café with more summer acts still to be announced.  Each evening will feature performances at 7:30 and 9:15pm.  Tickets are $32/each in advance, $40 at the door.

The June Festival concludes with jazz trumpeter Chris Botti and special guest Caroline Campbell on violin, Saturday July 7 at the Benedict Music Tent, presented in association with the Aspen Music Festival and School.  Botti tickets are available now at 970-925-9042 or aspenmusicfestival.com.

New this year is a nightly JAS pre-concert Lawn Party on the Benedict Music Tent grounds (June 22-24).  Live music and multiple food and beverage vendors will be available from 6pm nightly for the public to enjoy.

June Festival Host Sponsors include The Town of Snowmass Village and The Denver Post.  Other sponsors include CME, Coors Light, Alpine Bank, Patron Tequila, KSPN, The Myers Roberts Collective and Aspen Sojourner. 

Tickets for the June 22-24 shows are on sale now.  They can be purchased at 866-JAS-TIXX (527-8499), jazzaspensnowmass.org, or the Belly Up Box Office (544-9800).  For information on festival patron (VIP) tickets please contact the JAS office at 970-920-4996 or visit  jazzaspensnowmass.org. 

JAS Café tickets are available at 866-JAS-TIXX or jazzaspensnowmass.org In addition to the June Festival Café shows, additional Café performances will take place July 27-28 (acts tba) and August 10-11 (featuring singer/songwriter/guitarist Raul Midon & an additional act to be announced).

Categories
Afro Latin Jazz Alliance Arturo O'Farrill and the Afro Latin Jazz Orchestra contemporary jazz jazz New York New York City performances spoken word United States

Arturo O’Farrill and the Afro Latin Jazz Orchestra to conclude 10th anniversary season on May 10-11


According to a news release, Arturo O’Farrill’s Grammy Award-winning ensemble, the Afro Latin Jazz Orchestra, will conclude its 10th Anniversary season with a celebration titled, “Música Nueva 5: Big Band Poetry Jam & Beyond” at Symphony Space in New York City. 

Performance times are at 8 p.m. Friday, May 11, 2012, and 8 p.m. Saturday, May 12, 2012, at Symphony Space, 2537 Broadway at 95th Street in New York City.
The program will celebrate the Nuyorican Poetry movement and the Latino community, and the artists will mix the classic sound of mambo, boogaloo, and salsa with hip-hop, acid jazz, and alternative improvisation. 

Additional guests for the evening include poet and curator Angel R. Rodríguez, Sr., as well as Tony Award winner Lin-Manuel Miranda and turntablist DJ Logic. Spoken word artists include Sandra María Esteves, Tato Laviera, Odilia Rivera Santos, Caridad “La Bruja” De La Luz, Circa ’95 (PattyDukes & RephStar), and Christopher “Chilo” Cajigas. The arrangers for the two-night engagement include O’Farrill, Todd Bashore, Adam Kromelow, Jason Lindner, Adam O’Farrill, Jay Rodríguez, and Bill Ware. 

Founded in 2002 by O’Farrill to perform the full repertory of big band Afro Latin jazz and commission new works to advance this culturally rich genre, the ALJO was a resident orchestra at Jazz at Lincoln Center from 2002 to 2007. In 2007, the ALJO left Lincoln Center to pursue the twin goals of developing new audiences for big band Afro Latin jazz and of creating a robust educational program for young performers. O’Farrill founded the Afro Latin Jazz Alliance that same year to pursue both the performance and educational aspects of this uniquely pan-American art form.
The ALJO is currently in its fifth season in residence at Symphony Space, and it continues to tour nationally and internationally to critical acclaim, performing over the past several years at The Kennedy Center for the Performing Arts, Boston Symphony Hall, the Newport Jazz Festival, The Joyce Theater (with Ballet Hispanico), Megaron Concert Hall (Athens, Greece), and the Taichung Jazz Festival (Taichung, Taiwan), among countless other venues. The ALJO received a Grammy nomination for its 2005 album, Una Noche Inolvidable (Palmetto), and in 2009 earned a Grammy for Best Latin Jazz Album for its release Song for Chico (Zoho). The Orchestra’s newest album, 40 Acres and a Burro (Zoho), was a 2012 Grammy nominee for Best Large Jazz Ensemble Album.


 

Categories
contemporary jazz jazz Mexico Mole music RareNoiseRecords releases United States world

Jazz quartet Mole to release ‘What’s the Meaning?’ on RareNoiseRecords label on May 15

It was nearly eight years ago that Mexican born pianist-composer Mark Aanderud joined forces with Argentinian drummer Hernan Hecht. Their chemistry was immediate and natural. 

“The first things we did were all related to free music, with electronic elements or not, but always with the idea of creating songs or forms in the moment,” says Aanderud in a news release. “We do have some incredible magic going on, inasmuch as we can play concerts or record without ever speaking of music, and never repeating ideas or stifling development. This actually hasn’t changed over the years.” 
From their initial encounter, the two kindred spirits progressed to the formation of Mole (pronounced Mo-Lay), an exhilarating quartet that is breaking new ground in its approach to contemporary jazz with their auspicious RareNoiseRecords debut, What’s The Meaning?.

“I think this project is an inevitable spot in my career,” says Hecht, who is also a member of the RareNoiseRecords band Brainkiller. “It is our version of contemporary jazz, the sum of all the things we’ve heard and experienced in our lives related to jazz and everything else we have acquired; sounds of other music, other arts, the sense of song. It’s a freedom of expression, not determined by traditional jazz or directly from any line of traditional language learning. I am interested in music that is broad, not determined by a style.”
Though both Aanderud and Hecht would cringe at the prospect of being labeled a fusion band, Moledoes indeed fuse a variety of music styles, from jazz and rock to classical, funk and hip-hop. 

“I don’t really like the fusion concept, but of course with all the groove and electronic elements in our music it’s natural to think it sounds like fusion a little bit,” says Aanderud. “But I see us more in the same line as groups like Phronesis, e.s.t. and Kurt Rosenwinkel and in terms of electronic music, groups like Sigur Rós, Massive Attack and Radiohead.”
After a few years of exploring their chemistry together, Aanderud and Hecht began inviting other musicians into their inner circle to see how it affected their music.

 “We always considered the possibility of working with more people to achieve different characters, sounds and experience new artistic possibilities,” says Hecht. “So I instigated tours and recordings with Tim Berne, Rick Parker, Eli Degibri, Jonathan Kreisberg, Marco Renteria, Aaron Cruz and many more musicians, always with the desire of novelty.”
For their super-charged What’s the Meaning?, Aanderud and Hecht recruited New York guitarist David Gilmore, whose impressive list of credits includes tours and recordings with the likes of Wayne Shorter, Trilok Gurtu, Don Byron and Steve Coleman’s Five Elements.

“When we decided to tour with someone else from New York, to have new sounds and pressure to work with someone already recognized internationally, someone from which to learn with a shared philosophy and professionalism, we automatically thought of David Gilmore,” says Hecht.
Adds Aanderud, “There is probably no other guitarist as diverse in groove, time and the free approach as him. So it was easy to know he was the one we were looking for.”
Rounding out the quartet is Mexican upright bassist Jorge “Luri” Molina, whom Aanderud met years ago in their native country. 

“I’ve known Luri since I started playing jazz music,” says the keyboardist who is currently based in Prague. “We were still kids and we were starting to dig this music. He was a very straight-ahead player but he became one of the most charismatic and strong rhythm players I know, and an incredible musician who just understands any musical situation.”

Categories
drummer jazz music performances Ralph Peterson releases The Duality Perspective United States

Drummer/composer Ralph Peterson marks birthday with release of “The Duality Perspective” on June 19 on Onyx Music

The painting by Edward LaRose that graces the cover of The Duality Perspective, drummer/composer Ralph Peterson‘s new release and 16th as a leader, is a dynamic illustration of the album’s driving principles. The yin yang symbol in the background represents the balance between the two ensembles that appear on the record, the young, next-generation Fo’tet and the more established Sextet. The names of the members of each group are spelled out on the branches of a tree, the Sextet side fully flowering while the Fo’tet side is still budding; the tree’s roots are inscribed with the names of elders and mentors including Art Blakey, Elvin Jones, and Bill Fielder.
At the center of all of this is a portrait of Peterson himself, the locus of the enterprise both musically and spiritually. It is Peterson that nurtures this living, growing entity so that buds will bloom, branches will grow and thrive, and roots will delve ever deeper and stronger.
The Duality Perspective thus embodies youth and maturity, past; past, present and future; and diverse stylistic approaches based on a common language. In a bit of word association, Peterson characterizes the young, hungry Fo’tet as “dry ice, so cold it’ll burn you,” and the all-star Sextet as “richly rooted, one foot in the tradition, the other foot in tomorrow.” But as he acknowledges, “Each has a distinct sound and approach, yet they have a commonality at the core.”
Of course, as Peterson is quick to point out, there are more than two sides to his musical identity. (“Later on there might be a record called The Multiplicity Perspective,” he muses.) Besides his incomparable talent behind the drumkit, which has led to collaborations with the likes of Terence Blanchard, Branford Marsalis, David Murray, Roy Hargrove, Jon Faddis, Michael Brecker, Steve Coleman and Betty Carter over a nearly thirty-year career – not to mention being hand-picked by Art Blakey as the second drummer in the legendary bandleader’s Jazz Messenger Big Band until Blakey’s 1990 death – Peterson is an agile trumpeter and a respected educator.
Celebrating Peterson’s 50th birthday, The Duality Perspective is the veteran drummer’s 16th album as a leader and the second release on his own Onyx Music label, following last year’s acclaimed Outer Reaches. Turning 50, Peterson says, has been accompanied by some positive adjustments in his lifestyle. 

“These changes helped me to be the best person I can be,” he says in a news release, “and the best person will always produce the best music. I think this is one of my best records because it very much says where I am right now.”
The importance of unifying distinct elements into a distinctive whole springs directly from Peterson’s martial arts training. A third-degree black belt and Buddhist, Peterson has studied tae kwon do on and off for more than two decades. 

“As I continue my martial arts training,” he says, “Asian philosophical concepts like yin and yang become more important to me and I’m able to fuse them back into my other artistry, my music art. It also helps me stay physically fit, so I can play with the vigor of my youth but add to it the maturity and wisdom I’ve gotten through my experiences.”

The growth and replenishment of the album cover’s family tree is vividly evidenced by the current membership of Peterson’s Sextet, most of whom were in the budding stage themselves when Peterson began working with them. Trumpeter Sean Jones was a student at Rutgers University, who then introduced Peterson to saxophonist Tia Fuller; saxophonist Walter Smith III was a student in one of Peterson’s clinics at Berklee prior to his professorship; the drummer taught bassist Luques Curtis and played in the senior recital of his brother, pianist Zaccai Curtis.

Categories
ACT Music e.s.t. Esbjorn Svensson Trio Europe jazz jazz trio music releases Scandinavia United States world

Acclaimed e.s.t./Esbjorn Svensson Trio releases new posthumous studio album, “301,” on May 8

According to a recent news release, ACT Music announces the release of 301, a full album of previously unheard material by e.s.t. (Esbjörn Svensson Trio), available on May 8. The album is a follow up to e.s.t.‘s 2008 effort, Leucocyte, and is the group’s second album following pianist Esbjörn Svensson‘s tragic death (prior to Leucocyte‘s release). Heralded as one of the most exciting jazz bands of the decade, the seven-track album features Svensson with his longtime band mates, drummer Magnus Öström and bassist Dan Berglund.


In January 2007, e.s.t. was on tour in Asia and Australia performing shows in Tokyo, Osaka, Yokohama, Jakarta, Perth and Sydney. It was their third tour of Japan and their second time on the continent; and the venues and audiences had become noticeably bigger. Only a few weeks before, they had finished their triumphant tour of Germany, including a legendary performance in Hamberg which resulted in Live in Hamburg (ACT, 2007), awarded “Album of the Decade” by the London Times. It was undoubtedly the prime time for the style-defining jazz band of the 2000s.


The group decided to rent the famous “Studio 301” in Sydney for their off-days in the middle of the Australian tour and jammed for two consecutive days to develop new songs and material. Altogether, they recorded nine hours of music. Leucocyte became the first release from these sessions and has been praised by critics and fans alike as a ground-breaking work that leads into a new musical universe. Very soon after the recording, Svensson had edited much of the material down to two albums. And so the plan at the time was to release either a double album or two consecutive albums from this recording. Svensson’s tragic passing on June 14, 2008, (as a result of a scuba diving accident) disrupted this undertaking, and only one of the albums, Leucocyte (ACT, 2008), was released at the time.


Three years later, in October and November 2011, Berglund and Öström revisited the material from that recording session and together, with the band’s regular sound engineer Ake Linton, made their own edit for an album which is now called 301, on the basis of the name of the studio where the album was recorded.

 
For more information on e.s.t., visit est-music.com. For more information on The ACT Company, visit actmusic.com.

Categories
Canada Carol Welsman jazz Justin Time Records music new releases travel United States world

Vocalist Carol Welsman finds inspiration from world travels for album “Journey”

On her 10th recording, vocalist Carol Welsman invites her followers to tag along on a spirited yet intimate adventure. The vocalist explores 14 classic songs on Journey (Justin Time Records), all inspired by her lifelong love of traveling.
While jaunting from city to city can be somewhat draining for most people, Welsman enjoys the same sense of happy wanderlust that she had the first time she flew to Boston from her hometown of Toronto to attend the Berklee College of Music as a piano performance major. Since then, she has jazzed thousands of fans everywhere from Tokyo and New York to Italy and Brazil; lived for years in France, Italy and Los Angeles; and continues to be an iconic figure in her home country of Canada, where she has received five Juno nominations over the course of her 15-year recording career.
While her rich discography includes numerous acclaimed recordings showcasing her powerful skills as a songwriter, Journey follows in the tradition of Welsman’s previous thematic excursions, including Swing Ladies Swing! A Tribute to Singers of the Swing Era (1999), What’cha Got Cookin’, a set of jazzed up country standards produced by Pierre and Mary Cossette (2005), the Japan-released Benny Goodman tribute Memories of You (2008) and Welsman’s the tour de force I Like Men, Reflections of Miss Peggy Lee, which earned the singer her fifth Juno nod for Best Jazz Vocal Album of the Year in Canada and was named one of USA Today’s Top 5 albums of the year (alongside Barbra Streisand and Mark Knopfler) and #3 album of the year in Jazz Times.
Produced by Welsman’s longtime band members, guitarist Pierre Coté and drummer/percussionist Jimmy Branly, Journey also features Marc Rogers on bass and a guest spot by trumpeter Ron Di Lauroon “You Came a Long Way from St. Louis.”  Though most songs are sung in her native English, she draws on her fluency in French for “Volons Vers La Lune” (an exuberant, coolly swinging adaptation of “Fly Me to the Moon”) and the hauntingly eloquent “Si J’étais Un Homme,” and sings Portuguese throughout the first part of a spirited romp through Jobim’s “Samba De Avião.”

Beyond the compelling song list and Welsman’s unique interpretations, another fascinating element of this Journey is the fact that every tune was recorded in one or two takes, with the band recording 16 tracks in four days. Welsman prepared for the sessions with pre-production demos and, embodying the true essence of jazz, was open to changing course and improvising when the spirit of the song led the band in a different direction during the rehearsal session before recording. Her idea to drop the drums from “Route 66,” for instance, happened during the first run through the song in the recording studio.


“That’s the great thing about jazz, being open to making last-minute changes to make every song and arrangement flow just right,” says Welsman in a news release. “I wanted to play with the intimacy of the music, which means there could be a sudden change of attitude, as in ‘Never Make Your Move too Soon,’ which started out as a straight blues but seemed too forced that way. The result was that we were able to have a nice palette of colors with which to present this special array of songs. One of the key things was vibe. I didn’t want to be too over the top, but more on the quiet side so that you could put it on during dinner and then later it would lend itself to more detailed listening. Because we were drawing from so many sources and influences, I was amazed at the end that everything had an organic feel and was totally cohesive. All the themes connected as if we had somehow planned it that way. Dropping an instrument here and there definitely was part of the balanced approach we took.”


Categories
contemporary jazz festivals Freihofer's Saratoga Jazz Festival jazz jazz festivals New York Saratoga Springs United States world

Esperanza Spalding, Diana Krall & Trombone Shorty to perform at the 35th annual Freihofer’s Saratoga Jazz Festival

Esperanza Spalding,
Credit: Carlos Pericás

Esperanza Spalding, Diana Krall and Trombone Shorty will be performing at the 35th annual Freihofer’s Saratoga Jazz Festival, scheduled on Saturday, June 30 and Sunday, July 1, 2012, at the Saratoga Performing Arts Center, 108 Avenue of the Pines in Saratoga Springs, NY.

ESPERANZA SPALDING – Just one year after taking home a Grammy Award in the Best New Artist category, the bassist/vocalist performed a beautiful rendition of “What a Wonderful World” alongside the Southern California Children’s Choir at the 2012 84th Oscar Academy Awards in Los Angeles on February 26. She will perform on June 30.
 Diana Krall,
Credit: Courtesy of Artist
DIANA KRALL – The world-renowned artist and and one of the best-selling jazz vocalists of all time recently appeared with Paul McCartney on the 2012 Grammy Awards telecast in Los Angeles on February 12.  She will perform on July 1.
TROMBONE SHORTY – The New Orleans native trombone/trumpet phenomenon recently participated in a PBS televised performance at The White House as a part of the Black History Month celebration in Washington, D.C., on February 21.  Trombone Shorty and Orleans Avenue will perform on July 1.


Trombone Shorty,
 Credit: Jane Richey
For more information on the 35th annual Freihofer’s Saratoga Jazz Festival, go to http://www.spac.org/jazzfest/.